Madhouse by Nottingham New Theatre at theSpace@Surgeon’s Hall does what it says on the tin. Open the lid and there is a household of six students enjoying and suffering the ups and downs of shared accommodation.

a high-energy, swinging production

The madness is evident from the moment they all stumble onto the stage and take their seats around the communal table. Vividly coloured hair and party costumes seem the norm in a venue accustomed to the bizarre and the eccentric from among the idiosyncratic individuals who make up this group. Ollie (Olly O’Regan) is lost in love, mostly with his books. Annie (Izzy Johnson) is just full of lust. Goose (Pete Rouse) is simply spontaneous. Soniya (Sunenna Sohal) is the practical one. Billy (Charlie Catmur) is a dream, or in a dream. There's one more to come.

Now the party, interspersed with moments of reality checks, can begin with a much needed card game that is a diversionary activity in the midst of overwhelming debt, romances that are both complex and perplexing and piles of rubbish. The script provides plenty of comedy and the cast knows how to deliver it, with enunciation that is refreshingly clear. The analogy of the kebab scene is a gem of writing and first rate timing, which is characteristic of all performers.

Apparently, this fabulous comedy and first in-person show by M Craig emerged during a light-hearted debate about whether to turn the heating on; a big decision for undergrads with little income. She then reimagined the conversation in the form of a comedy sketch and added further scenarios from everyday student life to complete the play. To this mix, we are told, were added ‘additional influences from Patrick Marber’s Closer, to Phoebe Waller-Bridge’s Fleabag’ and a good measure of ‘self-indulgent influencers storming social media’. This last ingredient receives a full measure in the character Lisa (Rachel Coussins), who cuttingly plays a toxic individual sometimes thought to be possessed by satan.

Madhouse is a high-energy, swinging production, complete with musical accompaniment that is a joy to watch.

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Within the confines of a messy kitchen, six students grapple with the modern struggles of youth. Overwhelmed by debt, perplexed by romance, suffocated by chaos – for each student, life is an experiment, in which conflict is inevitable. Welcome to the Madhouse...

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