Lynn Ruth Miller and Larah Bross: Gran Slam

Keir McAllister’s Gran Slam begins with a stand-up gig. Comedian Larah is putting on a tribute to her grandmother (played by Lynn Ruth Miller) when the woman herself arrives to steal the show, with an angry taxi driver and a huge fare in tow. It’s essentially two acts loosely stitched together by a wacky plot for the sake of a title, and the seams are fairly obvious.

Gran Slam is hastily put together, but it’s good fun.

Larah Bross’ opening bit is gently funny, especially her observations on comedians hungry for new material congratulating each other on the death of a parent. She’s telling the (fictional) life story of her grandmother when Miller herself bursts in in a blue silk robe reprimanding her ‘disappointment’ of a granddaughter. Chaos briefly ensues and Larah attempts to get her show back on the road, before exiting to get cash to pay the mounting taxi fare - conveniently leaving Miller to take to the stage.

‘She’s given me two minutes onstage because she thinks that’s all I’ve got left. I don’t blame her: my passport number is four.’ At 82, Miller has formidable stage presence. She is confident and compelling, and her digressive anecdote about collecting a train ticket is astonishingly delivered. She delights in the reactions to her filthier material, though this forms the bulk of her set and the shock factor wears off quickly. A few moments are misjudged - there’s a commentary about 9/11 hijackers just needing female company in the cockpit - but her jokes generally go down well.

The plot, especially an unexpected final striptease, seems to be aiming for so-bad-it’s-good and nearly manages it. Gran Slam is hastily put together, but it’s good fun.

Reviews by Lanikai KT

Assembly George Square Gardens


Assembly George Square Theatre

Andrew Maxwell: Slight Return

Pleasance Courtyard

Birthday Girls: Sh!t Hot Party Legends

theSpace @ Jury's Inn





The Blurb

An unlikely relationship between a comedian and her future self. These two brassy broads will shock and defy and have you protesting for more. They don't bridge the generation gap – they spit in it and swim across. Fringe stalwart Lynn Ruth Miller has 'killer lines' (Scotsman) and award-winning Larah Bross has 'vibrant Canadian spice' (List). A dynamic double act like no other! Written by award-winning Keir McAllister and directed by Shauna Macdonald (director of 2015 Fringe hit: The Last Laugh and star of Filth and the Descent).