Loretta Maine: I'm Not Drunk, I Just Need to Talk to You

The Caves on the Cowgate certainly can't be accused of over-selling itself as a venue - you get exactly what it says on the ticket as you're ushered into their dingy cellar, already pretty dank, even before the rain-sodden festival crowd percolates in and begins to gently steam.We're here to see singer Loretta Maine with her band DogVagina (did I mention it's a 14+ show?), belting out her tales of woe and reflecting on her messed up life.Loretta, who's escaped America to launch her career over here, is a screwed up, alcohol-trashed Uber-bitch (think Courtney Love) and a wonderful comic creation. The kicker is that underneath all of the entertaining patter, the girl can really sing as she uses a fine pair of lungs to belt out twisted hits about love, loss and parental abuse ('Enjoy the show or f*** off home'; 'It's not me, it's you').These are delivered in dead-pan 'life sucks' character and mixed with some well-constructed audience chat, trying (and failing – surprise!) to find others with issues as bad as hers. Scarily, as the show progresses, you come to realise that performer and venue are in fact in perfect symbiosis – dark, scary and dripping with visceral fears.Her fellow band members, Tim & Jim, are well-crafted background characters, given a little bit of dialogue but mainly there to keep the music tight and give her a ready-made foil to bounce off occasionally.Highlights were abundant, but standing out for me were a nonchalantly brilliant musical improv number based on facts gleaned from a hapless audience member's life, then a great almost-closing number with the scariest wedding march you'll ever hear. During this latter she combines pure musical ability with a way of inhabiting her character so thoroughly that I'd swear she was channelling an early punk-era Debbie Harry.The only slight niggle I have is the show's timeslot – it would suit a later 'cabaret spot' with a better lubricated audience. However, that didn't detract from the obvious and effusive pleasure of the crowd on the evening I caught the show.There's a free badge to be had on the way out but, for once, I enjoyed the show enough to have bought a band CD if one had been available.Shouty, angry but above all, funny, this quirky little gem of a show is definitely one of the must-catch hits of this year's fringe.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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The Blurb

USA export Loretta Maine performs with band DogVagina, performing hits like 'C**k-Sucking Motherf**ker' and telling tales of her sh*tty life. 'The sexiest singer-songwriter you'll ever come across' (Time Out).

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