Two very different choral works about mourning take centre stage in this concert.
In one of Sir Simon Rattles farewell performances as Principal Conductor of the London Symphony Orchestra, two very different choral works take centre stage. First, the Stabat Mater by Karol Szymanowski spotlights the Polish composers fantastical musical imagination, influenced by the cultures of the Mediterranean, north Africa and ancient Greece. His Stabat Mater is exotic and sensual, while also reflecting his own profound faith. Alongside the Edinburgh Festival Chorus, Iwona Sobotka (soprano), Hanna Hipp (alto) and Florian Boesch (baritone) carry the challenging solos.
Johannes Brahmss uplifting Ein Deutsches Requiem (A German Requiem) is just as unconventional. Instead of setting the traditional Latin Requiem, Brahms chose Lutheran German texts that offer a consoling outlook on mourning. This was one of his breakthrough works, inspired by the deaths of his mother and, earlier, his mentor, Robert Schumann. In this music, sorrow meets serenity and offers us a promise of healing.
The London Symphony Orchestra Residency is supported by Dunard Fund
Endowed support from The Pirie Rankin Charitable Trust
With additional support from
London Symphony Orchestra
Sir Simon Rattle Conductor
Edinburgh Festival Chorus
Aidan Oliver Chorus Director
Iwona Sobotka Soprano
Hanna Hipp Alto
Florian Boesch Baritone
Szymanowski Stabat Mater
Brahms Ein deutsches Requiem