This programme contains depictions of violence and drug-taking.
Curiosity, fearlessness and versatility carry Lina Andonovska's artistry around the globe. Andonovska is a rare breed in the flute world; a name that you'll discover on both the pages of Rolling Stone and the Australian Chamber Orchestra roster, she has not only cultivated partnerships with leading composers including Louis Andriessen, Donnacha Dennehy and flautist Claire Chase, but also deep community ties from Timor Leste to Tokyo's incubator Wonder Site.
In this programme Lina presents some of the most stimulating and defiant voices in contemporary music, including the Irish premiers of works by Sarah Nemtsov and Brigitta Muntendorf, herself one of the Music Current guest composers and workshop co-ordinator at the collaborative composition workshop (see Music Current Soloists concert). Together with works by Paul M�fano, and Bekah Simms, and Nicole Liz�e's 'Tarantino Etudes', Lina presents a varied programme that uses technology as a central feature, not as a gimmick, but to interrogate the role of technology and media and their roles in music, musical material and our relationship with media and technology.
Nicole Liz�e, "Tarantino Etudes" (22')Brigitta Muntendorf, "Public Privacy
#1" (Flute Cover) (5')
Sarah Nemtsov, "amplified imagination" (10')Paul M�fano, "Traits Suspendus" (6')
Bekah Simms, "Skinscape" (5')