Life by the Throat

Life By The Throat tells the life story of James Joseph Patrick Keogh. Written and performed by Eve Steele in a one-person one-act monologue, the play follows Keogh’s life from birth onwards, cataloguing his many failures and few successes. In this engrossing production, Steele captures the essence of Keogh’s dark character with total sincerity and empathy, bringing the character to life in the simplest way imaginable: standing alone on the stage, evoking their story.

There is never a moment that does not feel out of place

Beginning with Keogh’s birth, Steele’s performance begins in darkness, standing completely still as they describe those first moments of life. While the scene is poignant, it also immediately establishes the dark sense of humour of the story. From there the play follows Keogh’s strange childhood, his moments of pride and darker moments both of personal criminality and adult encounters. The play is told entirely through Steele’s monologue, who commands the stage with such ferocity and skill that one is sure to be swept away. Keogh is a habitual thief, a nasty character in many ways, but both through Steele’s sympathetic portrayal, and through learning about his early life experiences, it’s remarkable how empathetic he becomes. Either through his own personal charisma as a character or through Steele’s performance, Keogh is likeable (for the most part), both as an understandable character and one that makes the audience laugh.

The stage is bare, with only lights used every so often to reflect a changing setting, and music is sometimes used for party scenes. Otherwise, there is nothing on the stage but Steele herself. Steele not only transforms into Keogh, she also transforms the stage around her. The script invokes the locations and scenarios to the point that you could almost see the people and situations playing out in front of you. Everything from a car crash to a court hearing to a scene of domestic violence is described both with enough imagery to recreate the scene in the imagination, and not too much description that it drags the scene down. The script is tightly written and naturalistic, bringing the characters to life in a way that great monologue performances should. Steele makes use of the stage perfectly, dancing and walking around with fluidity. There is never a moment that does not feel out of place. Never a movement that feels overdone or silly.

Life By The Throat manages both to tell the bittersweet story of an intriguing and sometimes darkly humorous character, and provide a truly entertaining hour of dramatic pathos. A character that actually does seize “life by the throat”, Keogh is a truly great theatrical figure. Steele imbues in him a life that is a must-see for anyone looking for a darker and more dramatic experience this Fringe.

Reviews by Euan Brook

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The Blurb

This is the story of one man's life – written and performed by a woman. James Joseph Patrick Keogh is a force to reckon with. Born into poverty and madness, he survives on wit, laughter and ingenious schemes. But whether it's sprinting on sports day, chasing oblivion or running away from cops, a crash is sure to come. Question is, will he survive it? Former Coronation Street actor turned award-winning writer Eve Steele channels the life of this remarkable individual in a celebration of the men she's known, loved and wanted to punch in the face.

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