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Liam Williams

When you only have forty or so words to play with in the Fringe programme, be careful not to waste them. Reading the moody words used to relate to 25 year old Leeds lad Liam Williams – ‘snarls’, ‘sulky’, ‘negative energy’ ‘demons’ - you could be fooled into being put off seeing his Fringe debut and heading towards a more uplifting comedy store style event instead.

It would however be a shame to miss out on this real treat. Williams may indeed be sultry and scruffy, but he delights the crowd at The Tron. His eclectic repertoire may successfully paint a character which comes across as intrinsically lazy, but in terms of the obvious preparation he has made for this show, he is clearly anything but.

Williams is one of those comedians who portrays a dark outlook on life which only serves to lighten the mood of the audience. From an opening gambit ‘I don’t like my neighbours. Their Wi-Fi connection’s shit’, through to an astonished ‘How did I end up here? I, who left school at 16, before going on to 6th form and university…’ Williams is engaging, haunting and even charming.

He effortlessly switches from memories of his own childhood through to reading pre-prepared poetry and literature (the ‘Time Out guide to 10 dating tips in London’, including ‘drinking cocktails... in a tree’ is a particular show-stopper), blending language and intonation quite beautifully – even if at times some phrases used would benefit from a slower pace in order to mentally translate.

One or two of the interwoven sketches, such as a mockumentary for BBC Four on the ‘Henriettan period’, are a bit lengthy and slightly confusing. But Williams is a metaphorical master with a natural talent to remain well in control of the complex language he uses and the direction he is taking his prose in. See him now before his stock (and Fringe price) rises.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Lyrical anti-lad Liam Williams snarls out his sulky debut. An hour of soul-smithied jokes and negative energy. May he keep his demons and his eczema at bay. 'One to watch' (Time Out). 'Skewed, inventive humour' (Metro).
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