Lest We Forget By Charlotte Green & Rasheka Christie-Carter

Lying not too far beneath the CV19 surface of 2020 lie a series of news events that seem to epitomise our times. A famous actor whining about the appearance of a Sikh soldier in Mendes’ Oscar nominated 1917 is one. George Floyd is another. A national preoccupation with the flag-waving, anthem-singing, cheerful-bully-beef-munching ‘old lie’ of war rather than the filth of conflict itself is, of course, a perennial favourite.

This is a self-confident, important piece of work that vibrates with anger, tenderness, truth and humanity.

And we should, it goes without saying, never forget. Never forget the various sacrifices that were made in war. Never forget what led us to hostilities in the first place. Never forget that every statistic has a rich and complex human story behind it. But writers Charlotte Green and Rasheka Christie Carter make the point even within the title of their new production that there are a swathe of invisible soldiers of colour locked out of the tub-thumping “Two World Wars and One World Cup” narrative. Lest We Forget? The difficult truth is that many have never been prepared to remember in the first place.

In WWI, the sweetly tentative romance of soldier William James and factory worker Edith Booth would be unremarkable were it not for his black heritage inviting raised eyebrows, racial slurs and unfounded hate. The writing is too sophisticated to seek to hammer it home, but their story – and the backdrop of the 1919 race riots – is of course horribly resonant with where some of the darker corners of humanity took us a century later.

This is a self-confident, important piece of work that vibrates with anger, tenderness, truth and humanity. Initially conceived as a stage production, it works beautifully as a radio play and the small band of actors fuse a rare polish and verve with a lovely sense of sincerity and rawness.

The team are at pains to point out that this was a rehearsed reading and not yet the finished article… in which case, we are – at some point hopefully not too far in the future – in for a dramatic treat, a sense of moral indignation and some haunting exchanges that remind us of our eternal hunger for kindness and togetherness.

Visit Show Website

Reviews by Rebecca Vines

Royal Shakespeare Theatre, Southern Lane

A Midsummer Night's Dream

★★★★★
theSpace @ Surgeons Hall

The Portable Dorothy Parker

★★★★
theSpace @ Surgeons Hall

Sherlock Holmes The Last Act

★★★★
Summerhall

Summer Camp for Broken People

★★★
Summerhall

Anything That We Wanted To Be

★★★★
Summerhall

Rewind

★★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

A live-from-home reading of Lest We Forget – a World War One drama following William James, a black British soldier, and Edith Booth, a white Northerner – followed by a Q&A with the creative team.

From the outbreak of war in 1914 to the race riots of 1919 we follow the lives of William James, a black British soldier and Edith Booth, a white Northerner new to London. When William and Edith fall in love during one of Britain’s most devastating periods in history they thought their hardest battle would be surviving the war, but fighting prejudice on the home front proves almost as challenging.

Most Popular See More

The Mousetrap

From £30.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets