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Laughing Wild

Christopher Durang’s play Laughing Wild has been wonderfully adapted to fill Funny You Should Ask’s 50 minute time slot to create a play so uproarious and so terrific you’ll wish it had lasted forever.

The show begins with The Woman (Bethan Ratcliffe). She wants to talk to you about life, about how someone got in her way in the supermarket when she was trying to buy a tin of tuna fish, about a fight she has had with a taxi driver. Then enters The Man (Matt Malone) - he is similarly neurotic and emotionally unstable but aspires to give you a motivational speech. The plot thickens as the pair become increasingly frantic and confused about how their minds work: the result is a show which manages to be simultaneously side-achingly hilarious and disarmingly surreal.

The acting and direction behind this production are absolutely impeccable. Each character is perfectly crafted and we follow their every move and twitch with baited breath. Ratcliffe need only purse her lips for a laugh whilst Malone has the audience crumpling up with his angry mutterings. Charisma is brought to each persona which keeps them both sympathetic without detracting from their craziness: they are intense but also highly entertaining. This means that the play is carried with an almost ridiculous ease. There is no need for innovative explorations of staging techniques or an exciting set simply because the audience wouldn’t notice anything else while these characters are on stage.

Laughing Wild is performed with such a distinct subtlety that even the more complicated third section is incredibly fluid, despite its complex structure. Dreams run into hypothetical scenarios and then back to the present absolutely seamlessly, meaning that this play finishes on a priceless crescendo of hilarity. Ultimately, Durang’s play is brought to life in a magnificent way by an astoundingly talented team: this is a must see.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

What happens when a New York woman attacks a man in a supermarket? What if both of them are crazy? This unique play charts the stresses of life in America and will have you laughing in the aisles.
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