Last Man Standing

For those who like their dance without frills, Last Man Standing provides an hour of unrelenting raw movement. This work is another gem from James Wilton’s increasingly impressive repertoire of exhilarating dances. Influenced by his enthusiasm for the writings of Terry Pratchett, the piece is related to The Last Hero and the tale of Orpheus and Eurydice, but this is not strict narrative dance: the framework allows for interpretation and the focus is clearly on movement, as it explores ‘the fragility of human existence, and the desire to survive’.

James Wilton Dance presents a well-structured production that is both earthy and other-worldly

Last Man Standing was originally performed in two acts: the first, ‘Life” with three scenes entitled Decay, The Finite Nature Of Time and Mortal Coil followed by a five scene second act “Death” consisting of The River Styx, Sands Of Time, Hell, Kairos and Return. For the Festival Fringe the two run without interruption. This perpetuum mobile adds to the intensity of the piece and flow of seemingly endless energy. Music from American progressive metal band Tool provides another driving force in this work. Patrick Donovan refers to the group as "the thinking person's metal band... and a tangle of contradictions”, describing the style as “cerebral and visceral, soft and heavy, melodic and abrasive, tender and brutal, familiar and strange, western and eastern, beautiful and ugly, taut yet sprawling and epic." The same could be said for the dance.

As the smoke wafts across the stage and the complex action commences, the feel of an underworld is enhanced by Mario Ilsanker’s brooding lighting with interruptions from banks of startling white. James Wilton’s style draws on many sources, some of them he admits to being “quite un-dance like”. They are all recognisable but sometimes only in flashes, as he has them tightly interwoven. Hence we see a trio engaged in grovelling acrobatic rotations, strokes of martial arts, throws, lifts, rolls, slides, break-dancing and the influential capoeira. There are also softer moments, particularly centred around the Eurydice figure, but even she becomes embroiled in frantic arm twistings with the man marking time in a recurring pendulum motif. There is also excellent use of the stage area, particularly in a pursuit sequence of diagonals that reaches into its extremities.

James Wilton Dance presents a well-structured production that is both earthy and other-worldly, in a harmonious blend of sound, light, music and movement. Like Orpheus, you will find looking back on its beauty irresistible.

Reviews by Richard Beck

The Space UK

Lockdown Drag-out

★★★★
The Space UK

The Plague Thing

★★★★
Finborough Theatre

Wind of Heaven

★★★★
Park Theatre Cafe Bar

Sydney & the Old Girl

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

A breathtaking evening by one of Britain’s most in-demand dance companies. James Wilton’s distinctive movement style is raw, powerful and dynamic. Influenced by martial arts, breakdance and capoeira: high-energy episodes are juxtaposed with meaningful moments of calm and reflection. 'A bold, fresh, innovative, modern piece of work with real intent and ambition' (ThePublicReviews.com). Featuring six dancers with exceptional physical skill, Last Man Standing explores the fragility of human existence. The dancers use their full arsenal of throws, lifts and slides in a determined fight to survive. An intense, compelling and moving experience by a multi award-winning choreographer.

Most Popular See More

Come From Away

From £25.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £13.00

More Info

Find Tickets

Les Miserables

From £22.00

More Info

Find Tickets

Joseph and the Amazing Technicolor Dreamcoat

From £13.00

More Info

Find Tickets

Hairspray

From £22.00

More Info

Find Tickets

Mary Poppins

From £31.00

More Info

Find Tickets