Ladyboys

You won’t find any Thai men with impressive singing voices and a surprising make up talent here. The Ladyboys show has a simple setup: three stand-up comedians in a small room each with about 20 minutes to win over the audience.

They would have been more suited to a bigger audience where they can get more response, but in a small room where by the end we all knew each other’s names, it was too heavy.

Beginning with Matt Wills, a pint-sized but undeniably dapper MC, who took time to get to know the audience. It felt like we had all joined a new club and were getting to know one another which suited the small venue and audience perfectly. He pushed through the slightly awkward ice to prepare for the next comedian.

Janine French took over the microphone and my inner feminist couldn’t help but revel in seeing a young woman doing stand-up. She was charismatic and gave a brief sample of potential characters when she became her grandmother. I did feel like she had a lot more personality to give, but perhaps some of it was softened to suit the audience and venue.

Lastly came Ian Miller, a socially awkward (his words) Essex boy, who gave an insight into his dating history and why he certainly isn’t appropriate for a family wedding. He was charming in a hopeless way and probably managed to unleash the maternal instincts of all the women in the room.

Each comedian had a relatable aspect, often using sexual blunders, one-liners and anecdotes to make fun of themselves. They all had a lot of potential and they could certainly get laughs, but the audience was far too small and reserved to make it a hilarious show. It is easy to imagine how difficult it must be to play to eight people, all of whom are sat within six feet of you. All their performances at times teetered on the edge of dark humour taking personal stories and turning their own experiences into the punchline.

At times some of the jokes seemed a little lost along the way and it was necessary to wait until the end before you could tell whether to laugh or not. That said, there were some aspects that didn’t seem as appropriate for such a small and intimate show such as personal problems where the sadness of the case was the punchline. They would have been more suited to a bigger audience where they can get more response, but in a small room where by the end we all knew each other’s names, it was too heavy.

It was fun nevertheless and by the end of the hour you really want them to succeed. 

Reviews by Katie Hopkins

Laughing Horse @ Caroline of Brunswick

Ladyboys

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

The best show! (at 11pm on a waining moon at 50° lattitude). Featuring the three finest acts ever seen (at Upstairs @ The Dogshit and Duck on a Monday night). Come and laugh, guaranteed to be five thirds hilarious!

Most Popular See More

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets

The Phantom of the Opera

From £27.00

More Info

Find Tickets

The Lion King

From £36.00

More Info

Find Tickets

The Mousetrap

From £24.00

More Info

Find Tickets

Come From Away

From £24.00

More Info

Find Tickets

Anything Goes

From £30.00

More Info

Find Tickets