Killing Roger

Roger is an old man with a whisky-soaked voice and nicotine-stained hands. His pale yellow skin and grumpy demeanour does little to make the audience warm to him. He is 87 years old and his health is declining as he sits alone in his grey and decrepit flat all day long smoking cigarettes and wasting his time in front of the television. Roger is also a finely crafted and delicately designed puppet and the main focus of young and innovative theatre company Spark and Dark's new performance.

Roger is controlled by Nicolas Halliwell (who is also the voice) and Louisa Ashton (the show’s co-writer). Each performer controls one of Roger’s arms. As he is an old man his movement is restricted and most of his dexterity comes from his expressive hands, which spend most of their time holding a cigarette. Roger is not entirely alone though. He is visited by a young college student called Billy, played by Graham Dron. Billy is interested in philosophy and decided to help the old man as part of his college course. He is initially restrained and reluctant around Roger but eventually, through Dron’s excellent performance, we see Billy grow and warm to Roger. During the performance Billy undertakes mundane tasks such as making tea. These actions are sound-tracked by a Lawrence Illsley who plays guitar live on stage and his innovative effects and evocative sounds remove any boredom or tiredness from the performance and truly augment the visuals.

Killing Roger is an important piece of theatre. Writer/Director Shelly Knowles-Dixon does not hold back when asking questions on care for the elderly and the topic of assisted dying. The conclusion of the performance is touching, shocking and visually stunning. This can be put down to the performance and ability of Graham Dron and his relationship to the expertly designed and controlled puppet of Roger.

Killing Roger is a powerful theatre piece which expresses raw emotion and presents puppetry in a new, challenging and refreshing light. Plaudits have to go to Sparkle and Dark for tackling such a subject with an expressive and challenging tone.

Reviews by Steven Fraser

Traverse Theatre

The Garden

★★★★
Traverse Theatre

Am I Dead Yet?

★★★★
C venues - C

Mwathirika

★★★
Sweet Grassmarket

The Wild Man of Orford

★★★
Institut français d'Ecosse

L'Enfant qui...

★★★★
Traverse Theatre

Fake It 'til You Make It

★★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

Could you kill someone Billy? I mean really, could you? What if they asked you to? New writing from an award-winning company, using puppetry and live music. ‘Superb ... as polished as it is thought provoking’ (AnimationsOnline.org).

Most Popular See More

SIX

From £39.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets