Kieran Hodgson: Supervillain

Sometimes when I’m sitting on a bus the stranger sitting next to me starts to relate all the secrets of their life, Forrest Gump style. Sometimes it is interesting, sometimes a bit weird, and sometimes it is funny. Kieran Hodgson’s show is like chatting to everyone on that bus.

He is very talented with a multitude of accents up his sleeves, but his characters could use a little more ingenuity. The show would also improve with something to connect the characters together or by shifting the focus to developing a couple a bit more. Instead the show that consists of flashes of monologues as mismatched as socks and sandals. The show needs to build up to a climax of some kind, or create more flow in his sequence.

If you enjoy a people tapestry you will like the show Kieran Hodgson has put together for you. His characters have plenty to tell you about their lives, throwing in jokes with a political and economical theme: Annual Percentage Rates, the Alternate Voting system, embezzlement, a banker’s sales drivel.

It is a lovely venue at the back of the Voodoo Rooms and if you feel like watching a Scottish conductor berating his orchestra, a Mansfield market seller talking about his lovely big dogs and a Vicar moaning about his cat’s murder on Palm Sunday, this show is for you.

Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Blurb

Brand new character comedy about crime, punishment and regional vigilantes. Starring Kieran Hodgson, of Fringe favourites Kieran and The Joes. ‘Relentlessly hilarious’ ***** (Daily Telegraph). ‘Intelligently written and skilfully acted’ **** (Chortle.co.uk). ‘Hilarity … delightfully misguided’ **** (Metro).

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