Katia Kvinge: 140 Karakters

At the start of her show Katia Kvinge explains the combination of cultures which has helped make her the person she is today. With Norwegian parentage on one side, American on the other and spells living in Scotland, England and the States it quickly becomes clear that the character comedian has a deep well from which to draw inspiration. The rest of this energetic and enjoyable show bears this out.

There is an unhinged vigour which unites the many characters Kvinge launches into

The ambitious aim of the show is summed up in its title with Kvinge aiming to pack 140 characters into her performance. She cheekily claims to have packed a significant amount of these into a high-energy opening dance and after that it’s down to business.

A bright early section contrasts the difference between the Norwegian and American sides of Kvinge’s family – Scandinavian introversion versus Yankee exuberance. Her cripplingly shy Miss Norway is a highlight but after that things get decidedly more energetic.

There is an unhinged vigour which unites the many characters Kvinge launches into. It’s something she’s very good at but, accents aside, makes it tricky to distinguish some of the individual characters. They are more like variations on a theme, rather than fully realised personalities.

Kvinge’s range of accents is a strength as are the impressions she uses throughout the show - the latter mainly being drawn from the world of movies. In particular, a conversation between Kristen Stewart and Keira Knightley, is exceptional. However many also get lost in the frantic, rapid fire delivery of the show and at one or two points the act runs the risk of impression fatigue.

This is a minor point though and doesn’t get in the way of a performance that showcases Kvinge as a naturally very funny comedian with a great future ahead.

Broadway Baby Radio Interview with Katie Kvinge


Reviews by Alec Martin

The Hub

Medea – Main Hall

The Lyceum



Age Is a Feeling

Pleasance Dome

Alasdair Beckett-King: Nevermore

Pleasance at EICC

Fata Morgana

Pleasance at EICC

Black is the Color of My Voice


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

Scottish BAFTA nominated character comedian Katia Kvinge (as seen on BBC, MTV and Channel 4) hits Edinburgh with her fast-paced, one-woman, multi-character, debut hour comedy show! Fresh from performing at the Second City, Groundlings and UCB theatre Los Angeles. ‘Laugh out loud funny’ ***** (Cream of the Fringe). ‘So good’ (Edinburgh Evening News). ‘Naturally funny’ **** (Skinny). ‘Highly entertaining and fabulously versatile’ (EdFringeReview.com). ‘Impressive’ (BroadwayBaby.com). ‘Very funny, very promising, one to watch’ (Ben Worsfield, NBC Universal).

Most Popular See More

Pretty Woman: The Musical

From £24.00

More Info

Find Tickets


From £21.00

More Info

Find Tickets

Mamma Mia!

From £18.00

More Info

Find Tickets

The Lion King

From £42.00

More Info

Find Tickets


From £24.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets