KATE

In 1940, the British strategically invaded neutral Iceland in a preemptive move to prevent a German invasion. Britain was terrified of losing its control of the North Atlantic. British forces in the country eventually numbered 20,000, which, in country of just 120,000 at the time, was certain to make an impact. KATE, by Lost Watch Theatre Company sets out to chart the effect the British soldiers have on one particular Icelandic family.

KATE has an interesting topic and the small ensemble cast approaches the material with energy and enthusiasm.

KATE follows the story of the title character as she leaves the countryside for the bright lights of Reykjavik looking for work and opportunity. With the British soldiers around, there is money everywhere. She moves in with family friends who have given her a job in their kiosk with their daughter, Selma. Whilst Kate falls in love with Robert, from Basingstoke, Selma sells herself to other British soldiers in the hope of getting enough money to move to America.

KATE has an interesting topic, and the small ensemble cast approaches the material with energy and enthusiasm. Lovely a capella Icelandic singing adds an authentic touch, as does the use of Icelandic words throughout the show. Some fun and clever movement sequences, like Kate’s journey to Reykjavik, and a particularly disastrous picnic in a windstorm, are charming. The casting of one actor (Alex Dowding) as two (very different) British soldiers Rob and Bill is also a humourous choice.

The script, written by Agnes Þorkelsdóttir Wild, verges towards the melodramatic and some dialogue could stand to be cut.The last scene, set 10 years after the main action of the play, also seemed unnecessary – the final tragedy could have been made obvious within the action of the play. The use of a very loud leaf blower to signify the Icelandic wind was an amusing gag to start, but it’s constant use over the course of the show began to wear thin.

Overall, however, KATE is an amusing, rollicking ride through a section of British and Icelandic history unknown to many.

Reviews by Jenny Williams

theSpace @ Symposium Hall

Nightpiece Film Festival

★★
Royal Oak

Yeti

★★★
theSpace on the Mile

Inevitable

★★★★
Spotlites @ The Merchants' Hall

Case Number

★★
theSpace @ Surgeons Hall

Flight of the Lawnchair Man

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Iceland. 1940. The British are coming. With the number of British troops in Reykjavik outnumbering the number of men in all of Iceland, the Icelandic women certainly have something to focus on. Kate focuses on the experience of one family, with their wayward daughter Selma and helpful lodger Kate, and how the women choose different paths to survive. A lively reflection on the shared and lost history between Iceland and England accompanied by live music and gale force winds.

Most Popular See More

Frozen the Musical

From £36.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets