Imagine this: two books, one musical. Intrigued? You should be! Kafka’s Metamorphosis: The Musical! With Puppets! cleverly intertwines Franz Kafka’s The Metamorphosis and Letters to His Father into a delightful meta-humorous performance. Featuring four talent performers and imaginative puppetry, this show delivers an engaging and entertaining experience.
Featuring four talent performers and imaginative puppetry, this show delivers an engaging and entertaining experience.
The writing, by Matt Chiorini and Travis Newton, demonstrates considerable thought and creativity. Though the dialogue occasionally veers into confusion, Alan Muraoka’s direction strives to maintain clarity for the audience. With some additional focus on character chemistry, Muraoka’s direction could elevate the show.
Musically, the score directed by Andrew David Sotomayor is catchy, funny and upbeat. However, some songs end abruptly leaving the audience unsure whether to applaud or expect more. Despite this, standout numbers include a touching duet between Gregor and Grete Samsa (played Blake Du Bois and Morgan Smith) and a poignant song between Gregor and his father (played Luis Rivera) that, with a bit more development, could become a real tear-jerker.
The set design is minimalistic yet effective, with John Czajkowski’s lighting and prop usage enhancing the distinction between dialogue and internal thoughts. Spencer Lott’s puppetry adds a unique charm, clearly showcasing his expertise.
Among the quartet, Blake Du Bois shines brightest with his engaging performance and dynamic interactions with the audience. His charisma promises great things for his future endeavors.
Would I watch Kafka Metamorphosis again? Absolutely. But next time, I’ll take a friend.
