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Jazz Emu: You Shouldn't Have
  • By Kate Nora
  • |
  • 16th Aug 2022
  • |
  • ★★★★

Have you ever considered how much easier it would be to stop trying to be a nice person and just be a dick to everyone? You will after watching this show.

What is going on? Where am I? Am I falling in love?

Jazz Emu: You Shouldn’t Have is the kind of perfectly Fringe-esque set that has you asking yourself: what is going on? Where am I? Am I falling in love with the man on stage, or am I being indoctrinated into a cult? And it might be unusual to attend a performance where the person on stage insists on finger gunning every person in the audience individually, but it feels good when you do.

This is the story of Jazz Emu, stage name of Archie Henderson, a global musical superstar whose career took a dive after an unfortunate case of goblin abuse during a performance in Helsinki. Two years on, he’s desperate to get un-cancelled, move out of his parent’s house and finally groove his way back into the spotlight.

If you’re a fan of Emu’s work, you might recognise some of the tunes he has incorporated into this multimedia experience, but you don’t need any previous experience with the parody jazz musician to enjoy every minute of his performance. The songs are clearly written by someone with a passion and flair for composition, beyond the obvious humour of the lyrics and the use of dramatic timing. The range of instruments Emu has mastered is also incredibly impressive.

Using all the tools in his arsenal – a WikiHow page about making people like you, a helmet Iron Man might wear if he became a DJ, and a sexy space clarinet – Emu takes us through the day of his prepared comeback. Interspersed with calls from the father who wants him to take over the Foley art business, recorded interviews with the goblin he insulted, and a creepy segment about the fourth member of Snap, Crackle and Pop (and Jop), it's an experience like nothing you've ever imagined. So I'll stop trying to describe it so you can just go see for yourself!

Visit Show Website

Reviews by Kate Nora

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

In 2016, Jazz Emu played the biggest gig he'd ever landed at the Helsinki Velodrome. But during his between-song patter, he carelessly insulted one of his biggest fans. What he said doesn't bear repeating, but let's say the Scandinavian Goblin community may never look him in the eye again. Now he's back to clear his name and regain his former glory. Will he be able to surmount the insurmountable and get every single person in the world to like him? Or is it time for him to face the music?
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