James Freedman: Moment of Truth
  • By Ben Dali
  • |
  • 11th Aug 2019
  • |
  • ★★★

In Moment of Truth, James Freedman opens with an air of mystery. He offers a brief history of electronic lie detection and introduces an old-fashioned polygraph machine. We’ve all seen them in TV shows and movies, and heard about their effects in real life application through daytime television, but how many of us have seen one functioning in real life? My guess is very few, and it’s an intriguing and enticing way to start the proceedings.

Freedman is clearly at the top of his game as one of the world's leading performers in his field

The polygraph test is not used to its fullest, acting as more of a gimmick and prop for Freedman’s storytelling than in the full capacity we might hope. But the pieces Freedman performs are stimulating, and he delivers a well written script to perfection, providing an education for his audience as he addresses and debunks common tropes regarding honesty and fraud.

This show is a tough one to classify, as it amounts to something of a one-man variety show, working through a range of entertaining skills, including pickpocketing, lockpicking, and fraudulently accessing personal information. In a similar vein to classic Derren Brown, it’s hard to know when we are witnessing the skill Freedman professes to display, or different skills such as magical and misdirection or psychology and showmanship. Perhaps it doesn’t matter, so long as we are entertained. And we are.

It should be noted that while the show is promoted as comical, there are fewer laughs than you might hope for. Freedman is charming and well-spoken but lacks the archive of off-the-cuff remarks and witty repartee of a seasoned stage magician (which he does not claim to be, despite performing a degree of magic). This show feels like something of an interactive TED Talk, and there are certain segments of the hour where one might benefit more from watching on Youtube than sitting in a quiet room while Freedman works away – watching and waiting, neither awkwardly, nor suspensefully.

The show is interesting and entertaining throughout, and Freedman is clearly at the top of his game, as one of the world's leading performers in his field, narrow though it is. One does get the feeling that this show isn't his finest work, it is a little disjointed at times and has the occasional lull. You’ll come away learning a thing or two about security measures though, and it will certainly educate you in how to better protect yourself from the scumbags of this world. Well worth a watch for the intellectually inquisitive among us.

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

Location

The Blurb

Fresh from his West End show Man of Steal, 'the world’s number one pickpocket' (Time Out) and 'master of the deceptive arts' (Stage) returns to Edinburgh in this brand-new, funny and action-packed show about con men, crooks and crime. 'A master showman' (Evening Standard). 'Freedman fools us with terrifying ease' (Guardian). 'A genius in his field' (Derren Brown). 'Instantly likeable, endlessly surprising and entertaining' (FringeGuru.com). 'Freedman leaves his audience blown away' (WestEndFrame.com). 'A dazzling display of thievery and a spectacular coup de théâtre' (Daily Telegraph). 'Genuinely jaw-dropping' (Times).

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