Jack The Lad

The poster for Perfume Productions’ presentation of this new play by Matt Harris is one of the most eye-catching and provocative, asking “Have You Been To A Male Prostitute?” I’m assuming that not all of the audience had, but should they be considering it, this tale of revenge and brutality just might make them consider stopping home with a video and a hot milky drink.

Alister Barton’s Jack has fallen into prostitution at a very young age. As the play begins he has someone trapped in a cupboard at his flat, and the tale that unfurls makes us fear for whoever that is. Barton is menacing and sympathetic by turns as he tells us what is essentially his life story from deprived childhood to being trapped in his present situation. Preece Killick plays a string of clients Jack has encountered in the past, skilfully delineating each one – and presumably exhausting himself backstage doing the fast and furious costume changes.

Harris’s script takes us into the motives of all these men for visiting a rent boy which is fascinating as they are all such different types – the married man with kids, the priest, the guy who wants to play at being a toff. Phil Setren’s direction cranks up the tension, and makes the most of what, for two actors, is a huge space by Edinburgh standards. The stage sex is pretty convincing, and the violence frightingly so, especially when we find out exactly why there is someone in the cupboard and what Jack’s plans are for him.

My main criticism is that we get the idea that Jack is pretty fucked up very early on, so there isn’t as much of a journey for him to go on as there might have been. We’re not exactly expecting a happy ending. All of the clients who visit him seem to turn nasty or violent to him after sex, which doesn’t ring true, but serves the direction the plot is heading. /as a whole it could have benefited from being ten minutes shorter, especially as Harris is a stylish writer, often lyrical and moving, and the “less is more” principle would benefit actors and audience alike.

Still, one of the more eye-opening productions you will see on the fringe this year.

Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Blurb

C Venue, 2-28 Aug. 21.45 (1 hour 10 mins)

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