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It's OK, I Still Think You're Great

Two chairs, a table and a back wall filled with train tickets, polaroid selfies, drama posters and a cardboard cutout of Shakespeare – is this a re-creation of my university flat? The play hasn’t started and It’s OK, I Still Think You’re Great is already nailing it. My twenties melancholy and existential dread are back. Thanks guys…

The show I’m recommending to people for the rest of the Fringe.

The plot of this three-hander is simple. Friend comes back to visit old friend at old flat. Friend meets new ‘perfect’ flatmate. Tension. Secrets. Feelings. I’m making it sound generic, but it’s not. The thing with this piece is it’s not just a story: it’s an experience. It’s that feeling you have in your twenties when you’re too old to be spoon-fed but too young to have full confidence in yourself, your abilities and your standing in the world. In one way or another, this comes through in each character, even if they pretend they’re absolutely fine.

All three performances are outstanding. Just when I thought one of the talented actors onstage was the stand-out, another would creep up and stun us with a killer of a line delivery or heart-breaking confession. Flossie Adrian, Olivia Khattar and Dominika Wiatrowksa are absolute stars. Along with writer Raffaella Sero and director Lania Hamilton, they have crammed the experience of being in your twenties into a fifty-minute show. It’s astounding.

Witty, incredibly well-written and emotional in parts, It’s OK, I Still Think You’re Great is something I wish I had seen in my twenties and is the show I’m recommending to people for the rest of the Fringe.

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Reviews by James Macfarlane

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

It’s Tibby’s 25th birthday and she is throwing a big party: after years, her friends from uni are coming together — and they are all doing better than her. It's OK, I Still Think You're Great is a sparkling three-hander about friendship, friendship breakups, breakup breakups, drama, drama kids, queerness, being an immigrant, rejection and William Shakespeare. Also, about the emotional roller-coaster of being in your mid-twenties and having no clue about pretty much anything ever.
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