I'm Coming

Molly Brenner’s one-woman show about her pursuit of an orgasm is an endearingly-performed trundle through her long search for sexual fulfilment. And yes, this is every bit as niche as it sounds. It is, however, nowhere near as potentially cringe-making as it sounds, thanks to a searingly-honest script and a lightness-of-delivery-touch which ensure no awkward audience winces for those who’ve wandered in mistakenly thinking I’m Coming is about someone perennially late for engagements.

An outrageous, beautifully-judged, comedy confessional.

Brenner is an accomplished and sincere performer and her lack of sensationalism ensures that the intimate subject material never feels unduly salacious or discomfiting. At times, it is even rather moving as she describes how her medical condition and emotional blocks denied her one of the most basic physical releases. That’s not to say it isn’t funny: there are gags aplenty, and each of them all the funnier for being delivered in the wide-eyed, conspiratorial manner of your normally quiet friend disclosing over a gin and tonic. But that, in turn, isn't to say that it's coy. It's not. It's confessional and outrageous, but always beautifully-judged.

For this is the stuff we never talk about. From our teenaged years boasting (see also: lying) about our sexual exploits through to the manipulation of social media to keep up the pretence that we’re living our best lives, we are all past masters at accentuating the positives and eliminating the negatives to the extent that we sometimes forget the importance of being truthful.

And Brenner is certainly that. She spares few details in her quest, but they are tastefully and amusingly recounted. She involves the audience but doesn’t humiliate them. She even managed to ignore the heckler in the front row who had failed to grasp the concept of rhetorical questions.

See it with your mates. See it with your Mum. See it with your significant other. But most of all, see it for yourself. The nub may be a minority issue, but the wider message of self-acceptance is one for the ages.

Reviews by Rebecca Vines

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Molly finally had an orgasm. What’s her secret? The answers may surprise you! I’m Coming chronicles comedian Molly Brenner’s long, harrowing and strangely expensive journey to the Big O. It is an honest, sex-positive and unnervingly funny take on pleasure and the ever-elusive female orgasm. Molly’s performed for sold-out crowds throughout the US and makes her (very satisfying) international debut here at the Fringe. ‘Enlightening’ and ‘boldly personal’ (TheaterInTheNow.com).

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