Idiot-Syncrasy

Igor and Moreno move. They jump. They slide. They jump. They don't technically do much else. The men are in perpetual motion for the entire hour, though I'm not sure if I could actually call it a dance show. Their movements are eccentrically simple, and choose regularity over impressive feats. Whatever they're doing, they're very good at it. They've been collaborating for the past eight years, presenting their work internationally. And despite its slight nature, Idiot-Syncrasy is a uniquely kinetic show that might pique your curiosity.

The seeming ease of their connection leaves you wondering whether they're flaunting confidence in their choreography or casually improvising as they go along.

Delicate and imprecise in equal measures, Igor and Moreno find a hypnotic rhythm in the timings of their steps in relation to each other, orbiting, opposing, and joining each other as they shuffle across the stage. Their moves are simple, but seamlessly synchronised, to the extent that they start to seem inseparable from each other. It's hard to believe they aren't brothers. They're equally endearing, despite their silence, and full of hospitality (you'll see what I mean). The seeming ease of their connection leaves you wondering whether they're flaunting confidence in their choreography or casually improvising as they go along. The show as a whole is bold, self-assured, and alive.

It starts slow, and may test one's patience too much for everyone's liking. (Several walkouts near the beginning testify to this). But tension builds one beat at a time, culminating with a deafening rumble that creeps up on you over the speakers, as the speed and complexity of their movements increase. And the time taken to get to this point makes the climax all the weightier. It's rare that such a quiet show will leave you this dizzy and pulsing.

The regularity of breath replaces speech, and moments of whispers taunt one's ears, never quite committing to clarity: more focused on 'what happens before the word comes'. Their dynamic positioning keeps them (literally) on their toes, stuck in flux, always changing and never quite becoming something else. Each movement is looking for a resolution that just becomes another turn, another cycle, another repeat, all mirrored in the other dancer. What starts off as a P.E. warm-up becomes a tightly controlled synchronisation.

This is not a show for the impatient. And it probably won't satisfy those looking for thrilling dancing or those after something resembling a narrative. Watching Idiot-Syncrasy comes closer to meditating than anything else. To that end, it may serve well as a mental break between the bustle of other, louder shows.

Reviews by Henry St Leger

Pleasance Dome

Police Cops in Space

★★★★
Underbelly, Cowgate

Frankie Vah by Luke Wright

★★★★★
Summerhall

A Hundred Different Words for Love

★★★★★
Bush Theatre

Guards at the Taj

★★★★★
Camden People's Theatre

Beta Public V

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

London’s boldest dance theatre brings hit shows to the Fringe. We started out wanting to change the world with a performance. We felt like idiots. Then we danced a lot. We jumped. We called on the folk traditions of Sardinia and the Basque Country. We sang. We jumped some more. We committed. Now we promise to stick together. We promise to persevere. We promise to do our best. 'Igor and Moreno sing, dance and jump relentlessly in this bold show featuring spectacular visuals and humour. Unmissable' ***** (Everything-Theatre.co.uk). British Council Edinburgh Showcase 2015. Selected for Aerowaves 2015. #idiotsyncrasy

Most Popular See More

Mary Poppins

From £24.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets

Wicked

From £24.00

More Info

Find Tickets

Mamma Mia!

From £18.00

More Info

Find Tickets

Come From Away

From £18.00

More Info

Find Tickets