I Love You, Bro

In his program notes writer Adam J A Cass remarks this one-person show is based on “a boy who is out there somewhere”, the “out there” being cyber space. Though based on a true story, he says that this can only be his, the director’s (Yvonne Virslk) and the actor’s (Ash Flanders) version of events. No matter – what a version, and what incredible events.

Johnny is a bored, sad and lonely fourteen year old who lives with his dull, submissive mum and her abusive partner, Trevor. Like all such teenagers since time began he retreats to his bedroom at every opportunity, but unlike such teenagers up until a decade ago, the four walls of such bedrooms are not confining any more. The world is at the end of a keyboard and web cam.

Though he professes to be straight Johnny enjoys flirting with another, slightly older boy in a chat room, then realise that this other lad believes him to be a girl. Intrigued and turned on by Marky, Johnny doesn’t disabuse him, and instead gets Marky, who believes he is performing for a girl, to abuse himself on webcam. Johnny is instantly in love, but how to meet the love of his life?

It’s only giving away a little of the plot to tell you he does manage to meet him, posing as the “girl’s” step-brother., but to say any more would be to spoil the myriad of twists, turns, and surprises this hour long show provides.

The script is brilliant, combining youth-speak, web-speak and not a little lyricism. The direction is well paced, but the afternoon belongs to Flanders who is just astonishing. He started a bit fast, and was hard to understand at first (his accent seems to meander across hemisphere’s at times!) but once he is into his stride he is mesmeric, funny, heartbreaking and at times really frightening.

And I guess that’s really what this tale is about. The internet, the web, cyber space – they’re remarkable tools for work and pleasure. But Pandora’s box has been opened. It can never be closed. If a fourteen year old boy can cause the chain of events depicted in this play without leaving his bedroom, then the world is a much scarier place than it has ever been before.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Sex, spies, lies: the true story of a teenage chatroom junkie who conspires to murder himself, spreading a web of deceit which destroys two lives. 'The plot ... had audiences gasping with horror and disbelief' (Herald Sun).

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