I Caught Crabs in Walberswick

I have been to Walberswick and I never caught crabs, but I’m glad I caught this new play by Fringe First Winner Joel Horwood.

Fitz and Wheeler are two teenage boys stuck in a backwater village in East Anglia, the sort of place where ‘nice people’ live and from which teenagers long to escape. When not catching crabs (of the crustaceous variety) they hang about aimlessly on the seafront or enjoy the only remotely exciting thing on their limited horizon, spending a night clubbing and taking drugs in Lowestoft. Fitz is sexually immature and has the best line in the play - I won’t give it away - whereas Wheeler thinks of himself as more worldly as he downloads porn on his father’s computer. What throws a spanner into the delicate works of their fragile friendship is the arrival of Dani, a posh girl from a good school in London, on holiday in Walberswick with her mother. She is the catalyst, and on one hot night during exam leave, she and the two boys steal a car and from that moment on Fitz and Wheeler put crab-catching behind them for ever. The fault lines in the friendship between the two boys begin to show until the inevitable fracture when past secrets are revealed and jealousy rises like a green demon from the ocean.

Aaron Foy as Fitz and Barry Hepple as Wheeler are excellent as the two boys, Aaron Foy giving a supremely touching, amusing and sensitive performance in this, his stage debut. And Gemma Soul is good too as the young city siren who carries them onto the rocks. However, we have been in coming-of-age and road-trip territory before and sadly ‘I Caught Crabs’ offers nothing beyond the usual horizons. It has a fine sense of place, and there is a well-acted and powerful moment when the two teenagers come to blows in the sea, but the play is neither explosive nor original. I longed for it to be more powerful, for it to say something new about growing up and about lost friendships, but like Walberswick itself the play seems to be rooted in niceness. Andrew Barron and Rosie Thompson cleverly play all the parents , yet I felt that the numerous scenes in which they appear just detracted from the main thrust of the story which was their sons’ friendship. There was also, I thought, some unnecessary narration of the plot. Still, ‘I Caught Crabs’ is worth seeing for its sensitive depiction of teenage frustration and backwater life. And Foy and Hepple are two young actors to watch.

Reviews by David Scott

Godspell

★★★★★

Troy Boy

★★★★

Seduction

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

A hot day, a hot girl, a hot car. In 24 hours of exam leave best mates Fitz and Wheeler face meltdown. A coming-of-age road trip from Fringe First winner Joel Horwood. www.easternangles.co.uk

Most Popular See More

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets