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Help! I Think I Might Be Fabulous

There’s a delightful pantomime-esque quality to Alfie Ordinary, who welcomes us into his world for this hour of song, dance, puppetry and even a spot of gymnastics. The son of a drag queen (a drag prince), Alfie is a perfectly sequinned mash up of Paul O’Grady and Oktoberfest. With a wonderfully gentle and convivial manner, Alfie is refreshingly sweet – a far cry from the uber-sexed drag cabaret that’s ten a penny at the Fringe.

An hour of relaxed humour, clever lyricism and more sequins than Shirley Bassey’s dress collection

Alfie regales us with tales of his schooling at Madame LeCoq’s Preparatory School For Fabulous Boys, where some of the lessons available are Herstory and Sequinnery. He’s crafted his own lyrics to some of the classics like YMCA, Sugababes, Tiffany and Christina Aguilera – which he belts out as he plays along on his keyboard. Alfie is exceptionally skilled in his keyboard playing, and when the notes of the show tunes get too high, he utilises the support of some of the greats like Bette Middler and Whitney to help him out.

Alfie’s narration of the offside rule in football, explained via the medium of buying shoes, is simply genius! As a female who both understands the offside rule and adores the purchasing of shoes, I just loved both the humour and the stereotype smashing achieved with this. Alfie’s show is lots of fun, and he also has something serious to say about living in a heteronormative world where coming out is still a big barrier for lots of LGBTQ people. We understand the poignant message behind this, whilst never breaking the air of entertainment and jocularity which Alfie effortlessly creates.

A genuine safe space for all, this is an hour of relaxed humour, clever lyricism and more sequins than Shirley Bassey’s dress collection.

Reviews by Jodie McVicar

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Assembly Roxy

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★★★★
National Museum of Scotland

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★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

After winning four Fringe awards around the world, Alfie Ordinary makes his Edinburgh Fringe debut with his five-star show. Set in a camp, queer utopia with a soundtrack including Village People, Whitney Houston and the Sugababes, this coming-of-age story in drag will leave you feeling fabulous. 'A superb display of intellectual flamboyancy' (TheAdelaidian.net). 'A cleverly handled commentary on society's obsession with masculinity' (VadaMagazine.com). 'Dismantles the patriarchy one rhinestone at a time' ***** (BroadwayBaby.com). ***** (BN1Magazine.co.uk). ***** (Bristol247.com).
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