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Good Grief

Good Grief tells the story of a family who are moving through the motions of grief and bereavement after the loss of their youngest son in an accident at Saltdean Lido. As they tell us about how they spent long and boring summer days at the Lido instead of going on exotic holidays, we get to know a family who are not sure what to do with their sudden and tragic loss. They don't know how to deal with the sympathy cards from neighbours they've never met, the school tributes and commemorative plaques, or the memories of the fateful day itself, even years after the fact.

A small and poignant story that is bound to stay with the audience

The story shows a mother, played with warmth by director of the piece Sue Goble, trying to shelter her children from the tragedy and reality of the death of their younger brother. Different ways of coping are gently analysed in-between anecdotes of childhood.

Performing to a full house, the cast of three presented an intimate study of the family, structured around a trio of conflicting accounts of the day the youngest child of the family died, and an anniversary lunch. The script, written by award-winning author Edwin Preece, steered clear of descending into a dark delve into the depths of grief, peppering the dialogue with light-hearted jokes and familial banter, making for an accessible text overall.

For a play tackling such a huge subject in one hour, Preece's script was a deft exploration of grief and loss, and the character's continual re-remembering of events as they grappled with placing guilt and responsibility for their loss was well communicated through the dialogue, in a sensitive and relatable way.

Although at times a little stilted, Sam Standen, Gigi Liley, and Sue Goble were always engaging, a feat for a script that was extremely detailed in its anecdotes. The script was paced around revealing small but significant details to feed the emotional progression of the characters in a slow but timely manner.

The play concluded with an ending that left you wanting more, while at the same time it left you feeling uplifted and more at peace with a difficult part of life we will all go through. I couldn't help but think that a site-specific performance of Good Grief at Saltdean Lido itself would make for a particularly special and poignant experience. It is a small and poignant story that is bound to stay with the audience for a good while after the performance.

Good Grief also works hard to enlighten and educate people about the grieving process outside of the theatre, with a collection for children's bereavement charity Grief Encounter taking place to help provide free, confidential advice and support for young people and children living through a bereavement.

Reviews by Lois Zoppi

One Church Brighton

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Good Grief

★★★
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★★★
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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Performances

Location

The Blurb

A summer's day at the Lido, an event not to be spoken of. Can the pieces of a fractured family be put back together? When Sam invites his mother and sister to share a meal, their memories may not be what he expects. Humour and poignant drama combine in this play by award-winning author Edwin Preece (International Playwriting Festival, Cornwall One-Act Play Competition), which was performed to acclaim at Steyning Festival 2018. Awarded a Brighton Lions Bursary for 2019, Swallows Theatre were runners-up in the Audience Choice Award on their last visit to Brighton Fringe in 2015.
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