Glasgow '14

Glasgow ’14 is a one man show, inhabiting the minds of four very different men and their experiences of mental illness. The backdrop is Glasgow 2014, and the events of the bin lorry crash at George Square. Impeccably delivered in possibly the most captivating and compelling performance I’ve seen at the Fringe, Neil Gwynne has the audience gripped immediately as he delivers the tortured inner thoughts of four men whose lives collide through this tragedy.

Beautifully acted, crafted storytelling, intimate and heartbreaking.

Neil Gwynne narrates this story, written by Sally Lewis, via the medium of 4 different accents. In this way, the audience follows the story of the Polish hot dog seller banished to Scotland for the acts of his father; the Yorkshire homeless veteran; the upper class English vicar; and Archie the Glasweigan. All 4 men have their own inner demons they battle - from PTSD to OCD, trouble sleeping, flashbacks, anxiety, panic attacks, depression and suicidal ideation. Their lives are suddenly and inextricably intertwined via the George Square bin lorry crash, as they all react in various ways to what they see happening around them. There is a real danger that such a topic could have been inappropriate and sensationalist; however Benet Catty has directed a show which is handled with care.

Male mental health is an oft-unmentioned issue, despite suicide being the biggest killer of males under 45 in the UK. This raw and poignant consideration of the people we potentially encounter in our everyday lives, and the mental anguish that transcends class, race and social status. It forces the audience to confront the unspoken words that may be lurking behind the eyes of those we love, or those relatively invisible. With a conclusion that shocks the audience, this is a bold, courageous and innovative performance.

My only fault of this production is that despite an amazing rendition of a Yorkshire, Polish and upper-class English accent, Gwynne’s Glaswegian accent is very East Coast. This is significant as the performance is based in Glasgow. A little more work on the accent, and this would easily be a five-star show, though it is nonetheless one not to be missed this year!

Reviews by Jodie McVicar

Gilded Balloon Teviot

Mandy Muden: Is Not the Invisible Woman

★★★★
Army @ The Fringe in Association with Summerhall

Dead Equal

★★★★
The Fawlty Towers Dining Room at the Hilton Edinburgh Carlton Hotel

Fawlty Towers Live Themed Dinner Show

★★★★★
Greenside @ Nicolson Square

Within

★★★★
Assembly Roxy

Pops

★★★★
National Museum of Scotland

Museum Late: Fringe Fridays

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

From award-winning director Benet Catty, this one-man show examines the ‘unseen’ illness of male mental health through the eyes of four different male characters, coping day to day, when an unexpected trauma sets the picture unraveling. Writer Sally Lewis, who scored a hit at the Edinburgh Festival Fringe 2016 with How is Uncle John?, returns by popular demand with an equally sensitive take on an overlooked subject, inspired by real life stories. All four characters are played by master of the monologue, actor Neil Gwynne.

Most Popular See More

The Book of Mormon

From £24.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets