Give Me a Tune

Along a cobbled alley, in a candlelit attic, it's easy to forget the thronging crowds in the centre of Edinburgh just outside. Here, Chris Clark takes the audience through the jazz and blues highlights of the 20th century. Brought together under the umbrella theme of 'the trials of every performance artist – how to say 'I love you’’, all the classics are covered, including Billie Holiday, Frank Sinatra and George Gershwin, among others.

Although this at first sounds like it has the potential to verge on trite, Clark breathes life into the setlist, feeding the audience juicy facts about the songs and insightful trivia about the artists who created them. Clark avoids the pitfalls of covering over-played songs and presents some slightly dustier, lesser-known gems, though these are still familiar enough to any fan of the genre.

Clark's easygoing manner inspired a relaxed attitude and the audience relaxed and nodded along. The band are laid-back and seem to enjoy themselves, creating a gorgeous, mellow atmosphere. Tom Finlay gives a spirited piano accompaniment in the style of Thelonious Monk with some impressive solos, while Edinburgher Ed Kelly on the double bass grins along in the back and Jordan Gilmore delivers subtly bluesy drums. Clark really shines when he pulls out his guitar and delivers some great jazz solos himself. All accomplished musicians, they play with flair and talent and, refreshingly, don't take themselves too seriously.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Chris Clark, on a journey through the great American songbook (Sinatra, Bennett, all your favourites) with captivating vocals, a classy piano trio and humorous anecdotes. Who said what and to whom? And what's a dummy lyric?

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