Girl World

Frisky are transporting audiences to a fantasy land created by two pre-pubescent girls, Tilly and Inga (played by Camille Dawson and Serena Ramsey). This is Girl World, a kingdom (or should I say queendom) ruled by the all-powerful goddess Fatnaboona. There is only one rule – NO BOYS ALLOWED. However, when a mysterious hole suddenly appears in the wall, it seems that playtime is over and teenhood beckons. Tilly is ready to explore but Inga holds back, leading to bitter tensions between them.

Girl World is an exciting and multi-faceted production

In this complex performance, childhood games provide a deeply elaborate metaphor for coming of age and teetering on the brink of sexual discovery. We see the girls playing at childbirth and breastfeeding, amongst other life stages. They experiment with profanities and graphic insults, egging each other on until they're in tears. Their imagination will almost certainly make you feel uncomfortable, but the genius of this writing cannot be overlooked. Occasionally the metaphor is dragged out a little. The build up towards the discovery of the hole could be trimmed, and the piece loses some of its pace towards the end. However, this does little to diminish the power of the production.

Not only is Girl World cleverly written, it's also cleverly staged. A loud set of sensational colour hooks the attention; and original songs add even more variety to the performance. Live musicians from the rock band BOSS are an integral part of the production and I really enjoyed their reactions to the weird scenes unfolding before them. Vibrant sound and lighting effects do not feel added on to the action, but embedded within it.

Girl World is an exciting and multi-faceted performance that asks difficult questions about growing up. The confusing stages of early adolescence are vividly portrayed in this varied and interesting show. You will both laugh and blush.

Reviews by Carla van der Sluijs

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Performances

Location

The Blurb

Is this a pop-tastic wonderland? Or a foul-mouthed, sex-obsessed battleground with no chance of escape? A playful and provocative coming-of-age comedy. Set in a hellacious no man's land with live band, song and dance, goddess-worship, violence, octopus birthing and Beckett-tinged woe-begottenness. It’s ‘a whirlwind of naivety, innuendo and fully-blown expletives that has its audience splitting at the seams’ (AYoungerTheatre.com). ‘Extraordinarily funny, always sympathetic’ (OutcastStudios.co.uk). ‘Innocent and subversive all at the same time’ (TheTung.co.uk). A new musical play from the producers of Fringe hit Pussy. Beware the Hole!