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Straight from The Royal Court, Anupama Chandrasekhar’s poignant drama about the impact of one girl’s sex life on the rest of India can’t help but provoke.

Fifteen-year-old Deepa’s headmistress arrives at the house to inform Malini, Deepa’s mother, that her daughter has been suspended for being “intimate” with a boy named Jeevan. At first, Malini refuses to listen to such accusations against her “model child” and blames the boy, his father, the school and technology in general. However, when the extent of Deepa’s intimacy is revealed as an MMS (Multimedia Messaging Service) video recording and later broadcast on the internet, the delicate euphemisms Deepa’s family have been using are replaced with words like “slut” and “whore”. Friends desert them, the media camps on their doorstep and, despite Malini’s best efforts at denial, the whole family’s lives begin to crumble. Deepa, the girl responsible for the mess, never appears onstage and, as such, can be known only to the audience, as to the rest of India, as the infamous “MMS girl”.

Lolita Chakrabarti plays the desperate Malini with powerful conviction and impressive energy, and Amit Shah is quite exceptional as Sharan, Deepa’s protective brother who finds himself unfairly punished for his sisters sins. Chandrasekhar’s script is sensitively balanced, distilling the more sober scenes with moments of charming humour. However, set in just one room, charting the developments of the outside world from within, the production crawls slightly and craves a little more action onstage rather than off.

Reviews by Natasha Long

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The Blurb

Just one message. That's all it took for Deepa to be hated by the nation. When an Indian schoolgirl is filmed with a boy, the video clip infects the country with a burning moral outrage. By Anupama Chandrasekhar.

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