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Frankie Thompson and Liv Ello: Body Show

Frankie Thompson and Liv Ello’s Body show is a dystopian cacophony of farce, comedy and tragedy. Body Show is both unsettling and delightful, packed with pop culture references, irony and an edge of horror. It is neither a play, sketch show, nor chronicle, and remains in a category of clowning that is distinct from any I have seen. It is playful yet horrifying, clear yet utterly mystifying—but if nothing else, it is beautiful.

Playful yet horrifying, clear yet utterly mystifying—but if nothing else, it is beautiful

The pair present themselves as Barbara and Kenneth (aka. Barbie and Ken) with deliberately rigid physicality and forced mannerisms that reflect both the dolls’ persona and the dysmorphia that we witness throughout the show. The performance is grounded in these two characters who are respectively confronted with the roles imposed upon them by the outside world. This is conveyed through episodic collections of lip-syncing, confessionals and movement, all crafted with sharp precision and timing.

There are a couple of moments in the show where the text feels slightly abrupt, perhaps a little too on-the-nose, which distracts me slightly from the otherwise magical production. These are only minor, however, and their paired dialogue is very special to watch. Thompson and Ello cleverly limit their paired scene-work, which creates gorgeous tension on stage as they exchange charged glances and dance around each other in the space. Ello’s physicality is especially polished and evocative, and Thompson’s facial expressions are incredibly moving. One of the strongest elements is their lip-syncing which utilises a wealth of obscure clips from pop-culture history that are both unsettling and hilarious, and excellently paints a picture of Barbie and Ken’s distress. The impressive set, lighting and sound elevate these sections to something that feels beautifully cinematic.

Thompson and Ello explore some distressing yet prevalent themes using their satirical style. It is highly commendable that Body Show presents these issues in a way that feels cathartic and respectful, especially when many attempts often feel histrionic and misjudged. Rather than being superficially ‘triggering,’ their language is freeing and examines experiences of personal difficulties from an intimate, authentic perspective that is so rarely expressed on stage. It is incredibly special to see.

Body Show is truly unique and special. It unleashes one-of-a-kind creativity onto the stage that immerses the audience in a wholly different world. It is a spectacle that is not to be missed.

Visit Show Website

Reviews by Isabella Thompson

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

What burns at the end of the world? Bodies? Bridges? Calories? Liv Ello and Frankie Thompson present an electric, eclectic love story about the meeting of dysmorphia, dysphoria, and dystopia. For Frankie Thompson's CAttS – Guardian's Top Five Comedy Shows 2022. 'Hysterically funny, deeply strange' **** (Time Out). 'Artfully clownish and funny' **** (Guardian). ****½ (Chortle.co.uk). ***** (FunnyWomen.com). ***** (ToDoList.org.uk). For Liv Ello's SWARM – The Stage's Top Fringe Shows 2022. Nominated for The Offies' IDEA Production 2023. 'Lyrical and electric' ***** (Liam O'Dell). **** (Guardian). **** (Scotsman). **** (Stage).
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