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Fall Girl

Sitting in the Comedy section of the Fringe guide, this is a quirky piece of storytelling theatre by new company Five Wits and starring last year's So You Think You Write Funny winner, Rosie Holt. It follows Hayley, a young, spritely and rather haphazard girly girl, as she navigates unfortunate and awkward attempts to overcome the trials of modern life. It's a heartfelt plea to be taken seriously when the world puts you in increasingly unflattering situations, performed well and wrapped up in sugar, spice and many things nice.

It's a collage of pastel colours, gingham tablecloths and colourful caricatures, sewn together by Daniela Finley's kooky ditties

Hayley, who works with less than sympathetic co-workers in the Customer Services Department of a dodgy roofing company, wants to be thought of as "ballsy and sexy and clever and original" when, in reality, she isn’t seen as any of these things. How easily we can relate to Hayley is what really helps us enjoy the show. Her love life is not as successful as she'd like it to be and we've all been there when she's desperately tries to avoid an evangelist in the erotic section of a bookshop. Her happy-go-lucky outlook is infectious and her self-deprecating humour is endearing, even when the awkward smiles become a little repetitive.

Although the plot isn't particularly strong or structured, what's far more important is the manner in which the show is performed. It's a collage of pastel colours, gingham tablecloths and colourful caricatures, sewn together by Daniela Finley's kooky ditties - played on guitar and percussion, and sung with sugar sweet harmonies. The lyrics bring some edge to the piece and Finley has confident definition to her roles too. Similarly, James Corley and Patrick Neyman provide diverse and very funny character comedy. This kooky script is well-written and entertaining, although the monologues lacked the freshness of the rest of the dialogue. Hayley might be very girly but the overall feel of the piece isn't, and there was plenty of humour for everyone.

This is a refreshing and very funny show that passed quickly and was accompanied by chuckles and giggles throughout.

Reviews by Cara Ballingall

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
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Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

Sitcom Trials: So You Think You Write Funny? winner Rosie Holt brings her debut show, Fall Girl, to the Edinburgh Fringe. Hayley is desperate. She keeps getting conned. Plus the voice in her head is a girl with a guitar who turns her failings into rhyming couplets. Fall Girl is a musical comedy about getting scammed and getting gumption. Funny, touching and very embarrassing, we watch Hayley fall prey to aggressive charity workers, dodgy businessmen and trashy reality TV producers, with some darn good songs along the way.
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