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Elf Lyons: Horses

In an astonishing and delightfully absurd theatrical experience, Elf Lyons: Horses takes horsing around to a whole new level. With impressive physical theatre and mime, this innovative show imaginatively explores the world through the eyes of a horse, inviting the us to step outside the ordinary and embrace the whimsical nature of life as seen from a four-legged perspective. More importantly however, Lyons reminds us to embrace the playfulness we once enjoyed as children, grounding the performance in a touching and universal message.

A delightful gallop through the unexpected

Lyons delights us with a carousel of horse characters presented in different scenes which are compered by ‘Treacle’: the first horse character we meet and narrator of the show. Frank, curt and forthright, ‘Treacle’ takes no prisoners, and it’s these kind of unconventional choices make Lyons such an exciting performer to watch. This is so much more than a show of horse impersonations, with buckets of dark humour, Lyons plays with the disgusting and the angelic.

A master of clown, Lyons extensive use of mime recalls black and white films as she energetically but cleanly performs multiple characters in a single scene with no set or props to fall back on. This requires an immense amount of skill and creativity which, combined with the wacky storylines, creates an enthralling performance. The stories in the latter portion of the show predominantly take place on ‘Philly Fat Farm’, an imaginary farm dreamed up by Lyons as a child in which she shared many playful memories with her siblings. Indisposed with real audio footage of interviews with her family as they reminisce about their time spent playing with horses, the show merges clowning with real sentiment without ever insisting upon itself.

Throughout the show, you find yourself becoming strangely fond of the various characters in the show, which we become familiar with through Lyons’ clever use of recall. With no costume changes to differentiate between them, it is a wonder how she manages to pull this off.

Horses is an adventurous reminder of the power of imagination and the joy of unconventional storytelling in theatre. For those seeking a theatrical experience that is both entertaining and thought-provoking, this performance is a delightful gallop through the unexpected, firmly becoming one of my top picks of the Fringe so far.

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Reviews by Isabella Thompson

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

The first ever comedy show at the Edinburgh Festival Fringe performed entirely by a horse. Made by award-winning Elf Lyons, performed by Treacle. 'Beautiful hind legs' (Horse & Hound). One of the 50 funniest comedians of the 21st century. 'Praise her genius and go' ***** (Telegraph). 'Lyons can't be accused of treading the conventional career path since none of her shows ever remotely resembles the next' **** (Guardian). 'Elf is funny and wise – and a hero of sanity' (Dylan Moran).
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