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Edward Hilsum: Silver

When he was seven years old, Edward Hilsum attended a party at which a magician was performing. This chance event changed the course of his life and led him to his own career as a stage magician and the world is richer for it. The moment that drew him into learning the art of sleight of hand was being invited onstage to participate in a classic coin trick with a special twist that made him believe in magic. In this show, inspired by that intimate interaction, Hilsum makes us believe too.

Hilsum is a delight on stage.

Hilsum is a delight on stage. He has an awkward confidence and a winning smile that you can see from the back of the room. He chats constantly with only occasional moments where he lets backing music take over the ambience in order to not distract from the magic. He is an accomplished sleight of hand performer and has no trouble finding volunteers to join him on stage to see the tricks close-up.

It’s impossible to describe the routines without somewhat spoiling the show so I’ll keep it simple and say that the audience are genuinely stunned by some of the reveals and disappearances that occur at the hands of this seeming miracle-worker. I see a lot of magic acts and even dabble in a little sleight of hand myself but, even when I’m sure I knew what is going on in a routine, I never manage to spot the trick. That’s the highest praise I can give to an act like this. Unfortunately a couple of bits have to be re-tried but not in any way that breaks the pacing of the show or changes the audience perception of Hilsum as a master of his art. The penultimate trick leaves the onstage volunteer so stunned that she has to apologise for her language before returning to her seat, clearly questioning reality and with a memento and accompanying story that I’m sure she’ll tell for years to come.

Reviews by Frodo Allan

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

The award-winning star of the spectacular Champions of Magic show spent months on a tour bus, entertaining tens of thousands across the UK and America... Now the 'hugely gifted British talent' (Katherine Ryan) is getting back to basics. In his intimate and heart-warming new show, The Magic Circle's Stage Magician of the Year and Magicana's International Rising Star of Magic returns to Edinburgh leaving the pyrotechnics and paraphernalia behind to showcase 'absolutely beautiful illusions' (BroadwayBaby.com) and 'immaculate sleight-of-hand' (The Magic Circle) that 'makes you believe in real magic' (Dynamo). 'Charming' (Guardian). 'Hilsum is a genius' (TheatreFullStop.com).
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