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Edges
  • By Kate Nora
  • |
  • 27th Aug 2023
  • |
  • ★★★★

The students of Royal Conservatoire of Scotland’s MA Musical Theatre programme are a staple at the Fringe, and they never let us down!

With gorgeous harmonies, great chemistry, and beautiful clarity of tone, this cast is a credit to RCS

Edges, a song cycle written by Benj Pasek and Justin Paul, follows the lives of four characters in their 20s as they navigate life after college. From career ambitions to complicated relationships, each song tackles a different relatable struggle. RCS takes on the double challenge of performing a relatively unknown musical (just try to search for the songs on Spotify) and adapting it for a fully female cast, made up of Sophia Holmes, Claire Rob, Taylor Fristina, Lauren Troy. Hats off to the team for attempting to create a cohesive storyline from these relatively random songs - an endeavour they largely succeed in, despite a few confusing moments along the way.

The on-stage band provides a great backing track to our four protagonists as they cycle through various issues, including new romance, old romance, and life goals. Although each performer has undeniable talent, ‘Character 3’ stands out as perfectly cast in her role, with an incredibly appealing singing style, while ‘Character 2’ has a lot of natural comic flair and charisma. But really, each member of the cast is well suited to the songs they’ve been assigned and the whole show is a joy from start to end - specifically their adaptation of the “Facebook song”, as it’s fondly known in the theatre world.

There’s something extremely enjoyable about watching these MA students perform a show written by Pasek & Paul when they were students themselves, creating roles from scratch instead of waiting to be cast by others. With gorgeous harmonies, great chemistry, and beautiful clarity of tone, this cast is a credit to RCS. We can only hope to see them on a professional stage in the near future!

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

From the creators of The Greatest Showman, La La Land and Dear Evan Hansen, Edges is a contemporary song-cycle which explores universal issues such as love, commitment, identity, and meaning. In a range of songs, spanning across genres and musical styles, the characters deal with confronting emotions, escaping expectations and deciphering complicated relationships. In the modern age of social media and information overload, this charming, witty and honest examination of adulthood in your early 20s explores what happens when we are teetering on the edges of our lives, and asks who we are, and what will we become.
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