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Dr Professor Neal Portenza's Interactive Goat Hour: There are no goats and the show is only 54 minutes long, excluding the bonus minute

Dr Professor Neal Portenza has more titles than I would give stars. At first glance there remains a promising idea of a fun character hanging about him, dressed in lab coat, in-patient garb, red beret and slathered in make-up. Unfortunately, his potential is never fulfilled, as in the course of the hour the Doctor/Professor/Comedian does very little in the way of comedy.

This is an interactive show, a fact which keeps us fairly occupied, as we are given a small remote control to submit our votes to the question on the projection slides. These are fairly basic nonsensical questions like 'who was Jesus’s fay-vrit disciple?' with answers like 'Dingus' available to us. If these were supposed to be guiding the show along, we were sorely disappointed, especially after such great importance placed upon the authenticity of the voting system. In reality, nobody really cares what boxes they tick, because all the options are disappointing and negligible.

Intended to be bizarre and aimless joy, the fun is spread pretty thin, getting truly boring at times and it takes forever to come to the jokes, which end up not being worth the wait. The effort gone to for each little flourish of comedy detracts from what should be effortless nonsense.

The hecklers definitely provided the most fun, who Portenza at first worked with as willing participants, but after having armed the audience with a box full of stress balls to lob at him, it became pretty impossible for him to reign things in and continue with the show, which was grinding to a halt with his poorly disguised attempts to cool the hecklers in their self-perpetuated fun. I can't blame them; no one else was providing anything in the way of amusement. Dealing with these guys certainly didn't help his likeability, so we were left with the scraps of what might have been a passable show on a good night.

The blurb includes the disclaimer 'certainly not for everyone'. Ball fight notwithstanding, I am in full agreement.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Winner: Best Comedy, 2012 Melbourne Fringe. Nominated: Best Independent Production, 2011 MICF. 'Impeccably constructed chaos.' ***** (TalkFringe.com).
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