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Diana: The Untold and Untrue Story
  • By Kate Nora
  • |
  • 22nd Aug 2024
  • |
  • ★★★★

Diana: The Untold and Untrue Story is a joyful reimagining of the Princess of Wales' life, told with wildly speculative poetic licence.

Take that, Camilla

Linus Karp, our leading man is a "very demure, very mindful" Lady Di, with an uncanny impersonation of her intonation, mannerisms, and hatred of landmines. Charles is a cardboard cut out (probably still a better dancer than the original), the Queen is on a permanent Zoom call, and Camilla appears as a life-size rag doll possessed by a terrifying demon.

The rest of the show relies on audience participation. Various members of the public are brandished with character names and props, unsure of their lines until the very moment they are called on stage. This night's show conveniently featured a lot of 'theatre kids', but the format could work just as well with more reluctant volunteers, adding to the humour of the show and generating a level of overall audience engagement that I don't think I've ever seen at another Fringe show (including improv).

Lady Di’s life story is such well-trod material that it would be hard to imagine a new angle, but Awkward Productions capture the spirit of our fascination with this almost mythical princess and use it to bring joy to the masses. And Karp’s passionate messages of support for the queer community, a cause close to both the actor and character’s hearts, were a touching aspect of the show. Such an enjoyable evening of entertainment, camaraderie, and LGBTQ+ allyship. Take that, Camilla — 1-nil.

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Reviews by Kate Nora

Underbelly, Bristo Square

Dreamgun: Film Reads

★★★★
Assembly Rooms

A Little Night Music

★★★★
Underbelly, Cowgate

Tom Lawrinson: Buried Alive and Loving it

★★★
Pleasance Courtyard

Diana: The Untold and Untrue Story

★★★★
Underbelly, Bristo Square

Hannah Gadsby: Woof!

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Following a sold-out, award-winning run at the Fringe last year, the People's Princess is back! Do you know the story of Diana? Probably. But do you know our story of Diana? We very much doubt it. Join Diana in heaven as she shares the untold and untrue tale of her extraordinary life. Combining drag, multimedia, audience interaction, puppetry and a lot of queer joy – this unique celebration of the peoples princess is as hilarious as it is tasteless. 'Outrageous triumph' (Edgar Wright). 'Repellent trash' (Daily Mail).
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