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David Whitney - Struggling to Evolve

Struggling to Evolve ‘promises a guide to sex, drink and violence’ – which sounds like prime material for an edgy comedian seeking to unsettle his audience. David Whitney may talk like a chubby English comic, and he may sweat like one too, but the jokes appear harder to come by. Where’s the risque humour? Where’s the licentiousness? As it turns out, nothing about Whitney adds up: he’s not edgy and he’s not English either, as he confesses at the outset. The plummy-voiced man takes to the stage playing the bagpipes and then admits to having been born in Aberdeen. Pleasing as it would be to insert a quip about all Aberdonians being born comedians, the truth is Whitney’s not that funny. Not at first, anyway. There’s some Russell Brand-type shtick and a few good one-liners in there but it’s barely LOL material, let alone the stuff that ROFL-copters are made of.

If this is the best we can expect from Whitney, Houston we have a problem: this could be an interminable hour. As if sensing the collective ennui, however, the comedian finds a third gear, and then a fourth and then we’re flying, with dick jokes being liberally tossed at the audience and vajazzle quips tripping off the tongue. They’re good too. David Whitney doesn’t do bog-standard knob jokes. His are so good you’d tell them to your own mother. By the time Whitney has finished likening sex to McDonald’s, Microsoft Windows, and a bunch of other incongruous objects his work is done and the Scotsman masquerading as an Englishman can pick up his bagpipes and leave the stage.

When he’s on form Whitney is a pleasure to watch, yet it’s hard to escape the feeling that there’s something missing from his comedy. A sense of urgency. A sense of danger. A sense that anything could happen. Front row and I didn’t get picked on once. There’s a David Whitney show in there somewhere – complete with a barrel-load of gags about fapping and ball-bags – because Whitney doesn’t need to engage with his audience; he already knows what they want. Us upright apes do love a good dick joke.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Taking his first steps out of the primordial soup, Whitney provides a guide to sex, drink and violence, and not getting away with it. 'Genuine spirit of fun' (Chortle.co.uk). 'Huge laughs ... silver-tongued warrior' (Spectator).
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