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Damsel in Shining Armour

Sophie Walsh Harrington is talented, beautiful and a little bit unhinged – but in a good way. She’s returned to the Fringe with her 2011 show about trying to find love which saw her win Best Cabaret at the Adelaide Fringe and gain fantastic reviews here in Edinburgh. It’s always hard to review a show that you’ve seen before; you have to ask yourself ‘is this show strong enough to be entertaining a second time around?’ The answer is ‘absolutely!’

Ms Walsh-Harrington throws herself at the audience with boundless energy and enthusiasm. She portrays a damsel scorned by love, desperate to find a man who’ll need her as much as she needs him. The comedy is sharp and well written, the songs are both hilarious and haunting and her timing is perfect. Her mantra of ‘one must create melodrama in one’s life’ is a sentiment that the audience clearly relates to and she constantly garners whoops and cheers of agreement from the ladies (and some of the men) who clearly see the Damsel as an embarrassingly familiar character.

Others have commented that perhaps she should leave this show behind and bring new work but, when the performance is this good, what’s wrong with giving the fans a chance to see it again and the opportunity to share an excellent show with a whole new audience. No-one ever complains when the Rolling Stones tour with their greatest hits and The Damsel in Shining Armour is a show I’d gladly sit through again.

Reviews by Frodo Allan

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Out of Yorkshire via Oz, Damsel Sophie mixes self-deprecating storytelling, music and audience collaboration to witty, moving and transporting effect. 'A new shining star' (Scotsman). Winner of Best Cabaret Adelaide Fringe.
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