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Crash and Burns: A New Comedy

The holiday meal gone wrong is a classic sitcom episode and genre of comedy, as surprise revelations and drama abound. Amy Yeo’s Crash and Burns revitalizes this classic trope into a chest-achingly funny, coming-of-age episode that leaves us gasping for air.

A chest-achingly funny, coming-of-age episode that leaves us gasping for air

Instead of an American Thanksgiving, the is set during Burns night as Katie (Aishling Jones) tries to host a Burns night supper for her close friends from university. As the evening progresses, so does the drama as we learn about the various relationship dynamics and conflicts within the group.

All the classic American tropes have been translated into a more familiar Scottish setting, from the holiday itself to the tiny student flat that absolutely no one wonders how Katie and Louisa (Clare Wessely) can afford it. But we also have the sports game that is used to divert conversation, and the sharing of information in corners, just mere steps away from the rest of the group; and that's part of why it's so funny to watch events play out. Crash and Burns is very episodic; we are literally dropped in the middle of these characters' relationships. The show gives us enough about the characters to give them some sort of connection, but hints that there is more to the story before - and after - this show begins. And this style is very firmly reinforced by the quick snaps of the lighting - like cut scenes - directing our attention from one conversation to another. Usually miscommunication as a source of comedy is frustrating to watch, but instead Yeo’s writing creates an off-beat and amusing comedy.

The cast have a great sense of comic timing. Their acting is completely natural and they communicate as much through their voices as their overall expressions. Their interactions are very realistic, and it’s very easy to believe and buy into their shared history.

The light comedy of Crash and Burns provides an ideal opportunity to just switch-off and enjoy the show. It's so good that if this were an actual sitcom episode, you wouldn’t be tempted to use your phone during it.

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Reviews by Katerina Partolina Schwartz

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

Six friends reunite after graduation for their annual Burns Night supper: Rabbie Burns style (aka with too much alcohol and not enough self-restraint!). Yet, a joyful, not-so-Scottish evening of celebrations quickly descends into an evening of chaos; rumours are spread, secrets are revealed and sh*t hits the fan. A life-affirming comedy about growing up (or not), falling apart and who you choose to fall apart with, Crash and Burns asks if maybe auld acquaintance should be forgot after all...
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