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Chatterbox

Lubna Kerr is a chatterbox.

This is a piece as timely as it is charming

A warm and witty one, as it turns out.

But it wasn't always this way.

Back in 1970s Glasgow, little Lubna was labelled as stupid because of how her Urdu-programmed brain processed English.

This semi-autobiographical piece explores how the labels we are slapped with in childhood can shape our later lives. Using Lubna's formative years as the prism through which we revisit a palette of kindness, racism, and kindly racism; we are wrapped in the love of a family devoted to each other and the joys of attaining the little ambitions that each of us cherish. In a normal world, we would be shaking our heads sadly and thanking the Gods for progress. In 2024, however, all bets are off. This is a piece as timely as it is charming: a reminder, for those who need it, that we are all in possession of the same hands, organs, dimensions, senses, affections, and passions.

And Lubna's passion is for words.

But the bright, bubbly Lubna is not afforded the same opportunities as her classmates. And as we listen to the casual slights and putdowns which set her on a successful scientific career rather than the literary one she so longed for; we cannot help but simmer with sadness for all of the bright eyes dimmed by the petty jealousies and inadequacies of prejudice.

Kerr is engaging throughout, bouncing about the stage and embodying a range of other characters with energy and attack. She has created a script which burns with rather more joie de vivre than injustice, and this infectious inability to be squashed drives the plot and infuses the central 'character'. The clutter on the stage is a testament to a past life: of three channels on the telly and Brian Johnston on the radio. The school uniform reminds us that we all carry our small selves with us into adulthood.

There are many reasons to pop by and spend an hour with this chatterbox, and the slices of ginger cake being offered on arrival are just one. But ultimately, it is because we owe it to our own little selves to reclaim whatever was once squeezed out of us by others.

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Reviews by Rebecca Vines

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Chatterbox, a play about a Pakistani girl at primary school in 1970s Glasgow. Lubna was labelled "stupid" because she couldn't speak English – by people who couldn't speak Urdu. This humorous and touching semi-autobiographical one-woman show looks at the impact of the labels we are given as children and how they persist into adulthood. What labels were you given? How did they affect you? Do they still make you anxious? Where did you find safety when neds chased you down the street? The show is a prequel to actor, writer, comedian and playwright Lubna Kerr's four-star Fringe-hit Tickbox.
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