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Charlie Russell Aims to Please

As the title Charlie Russell Aims to Please suggests, the entire show is an amalgamation of various theatre techniques from musical to slapstick to the dramatic in Russell’s attempt to meet the demands that we – the audience – make on her in an attempt please and to make us happy with her, meeting the demands that we make. With such an open-ended promise, almost anything can happen.. and it does.

A laugh-out-loud and thoughtful comedy

It is incredibly entertaining to watch Russell stretch her acting abilities, going beyond what we might think possible, aided by a variety of props that add to the over the top and seemingly joyous atmosphere. She has an easy rapport with us, she knows how to work an audience and to be likeable, even going so far as playing Defying Gravity on the kazoo and attempting and absolutely nailing a Scottish accent, not an easy feat for an Englishwoman. Her performances are well thought through, clever, and a far cry from anything else on the Fringe. Russell is an incredibly versatile and talented actress. That much is clear even before the show ‘officially’ starts, interacting with us to make sure we feel safe and comfortable, trying to ingratiate herself with us from the beginning.And whilst she is conscious of the fact that you can’t please everyone, Russell sure as hell tries.

Becoming more visibly frazzled as the performance goes on, Russell shows us that there is more to her performance than initially meets the eye, revealing her true heart and motivation. She is incredibly brave for being so emotionally raw with us, and that honesty and vulnerability is what makes this show so great.

At least five or six shows rolled into one, Charlie Russell Aims to Please is a laugh-out-loud and thoughtful comedy, as Russell befriends us over the course of the show. It is hard not to like her; she is honest and genuine with us. Russell not only succeeds in pleasing us as an audience, but finding that which pleases herself, a beautiful ending to a rollercoaster of a show.

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Reviews by Katerina Partolina Schwartz

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Charlie Russell wants to do a show in Edinburgh, but all she can think about is what she wants people to think of it and, ultimately, of her. So rather than focusing on what she wants to say, she's just going to create a show that will please absolutely everyone by trying to hit as many solo Fringe show tropes and styles as possible within an hour. That's doable, right? Because she can't just be herself... can she? Funny, entertaining with a big beating heart that just wants to be loved.
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