Celts

The Celts exhibition at the National Museum of Scotland is well worth a visit. Entry to the museum as a whole is free, but buy a ticket for the current exhibition and you’ll come out with a richer knowledge of the enigmatic Celts and what they mean for us today.

The exhibition faces the challenge of telling a coherent story out of a concept that has been much overworked and misunderstood.

There are four rooms laid out both chronologically but also thematically, exploring different ways of understanding what we mean by ‘Celts’. After a general introductory room—featuring the impressive two-faced sandstone statue made 2500 years ago in today’s Germany—there is an archaeology-centred look at the ancient tribes of Northern Europe. They were referred to as Celtic despite the fact that they were diverse peoples, however the displays show the aesthetic style that they share, and which contrasts with the realism of Classical Greek and Roman art. This Celtic style of curves, swirls, and lurking animals is our continuity into the next two rooms which look at the influence of the Roman Empire and the Christian world it left behind, focusing on Britain and asking questions about the ways in which cultures interact and what effects this has on identity. The final room frames these questions in terms of our own historical understanding by looking at the resurgence of ‘Celtic’ as a term to understand Britain’s past throughout the seventeenth, eighteenth and nineteenth centuries, especially in the context of Irish, Scottish and Welsh understandings of national identity. Of course, plenty of these issues sound familiar in today’s world, and the well-written signs bring to attention some of the similarities when thinking about migration, cultural identity and nationalism.

The displays feature many artefacts, from statues to swords, cauldrons, jewellery, standing stones and paintings; some objects, such as the impressive carnyx (a type of horn) and the chariot, have been reconstructed from the available evidence. Informative and thoughtful signs and video displays help us navigate through this material, and there are interactive screens to for more in-depth information.

The exhibition faces the challenge of telling a coherent story out of a concept that has been much overworked and misunderstood, and in response to this it is both comprehensive and detailed on what it means to talk about the Celts—both who they were, and how we understand them.

Reviews by Fiona Mossman

Gilded Balloon at the Museum

The Snow Queen

★★★★
Assembly George Square Studios

Sarah Kendall: Shaken

★★★★★
Underbelly, Cowgate

The Hours Before We Wake

★★★★
Gilded Balloon Teviot

Wendy Wason: Tiny Me

★★★★
theSpace @ Surgeons Hall

The Female Question

★★★
Paradise in Augustines

Lest We Forget

★★★★

Performances

Location

The Blurb

The idea of a shared Celtic heritage across ancient Europe retains a powerful hold over the popular imagination. But many ideas about the people known as Celts are more recent reimaginings, reinvented over the centuries. This exhibition, organised with the British Museum, unravels the story of the groups who have used or been given the name Celts through the objects they made and used. Discover magnificent Iron Age treasures, learn how art styles changed in response to the expanding Roman world and spread of Christianity, and explore how 19th century arts were inspired by ideas about Europe’s past.