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By Grace: A New Musical

The epitome of Hollywood glamour, Grace Kelly's perfect face beams at you from a screen as you enter the space. She really was stunning and you can't help but be reminded of her untimely, tragic end. This show centres around her whirlwind marriage to Prince Rainier, one of the most publicised events in Hollywood history, and how those around her, however loosely connected, are affected by it all. It's all about emotion; jealousy, pride, disappointment... and yet that is exactly what this production, sadly, lacks.Yes, these kids can sing, but not fantastically, with dropped notes and flat solos happening far too frequently throughout the entirety of the performance. There is plenty of over-acting going on by certain cast members, but this only highlights the fact that the whole thing seems flat, with some ensemble barely cracking a smile. The big dance numbers have no energy or spirit behind them and the fact that none of the performers had head mics meant that it was, on the whole, too quiet. It doesn't help that the terrible staging means cast walk on to the same spot every time, using the same stool, sing a song and walk off before being replaced by other cast in exactly the same manner. Quite frankly, it's boring to watch. That is not to say there was nothing enjoyable about the show. There were some lovely poignant moments, especially with the quietly captivating Jay Putnam crooning out a beautiful duet with Claire Hilton. The schoolgirls were genuinely funny and, with a little more work, could be hysterical.There is talent here. The Hilton twins, Polly and Claire, have the most powerful voices, though even these can sound shrill and shaky, and Claire is a very capable dancer. However, they are both very prominent in the production; pushed to the front, in almost every scene, upstaging every other person on stage and with the bizarre, unnecessary inclusion of a ballet solo by Claire, their constant presence smacked of favouritism on the behalf of the director. Strangely enough, the person that held my attention for the most part of the show was an ensemble member playing numerous minor characters. Karin Haski has a natural, easy to watch acting talent and was the only person to make me laugh, let alone smile, with her wonderfully cynical performance as a seamstress. The parents in the audience should be very proud. The cast are capable of performing well for their age and, with future training, I am sure will go far. But as for this particular show, it felt amateur and trite and, to be honest, I was bored stiff by the end. Grace Kelly was one of the most beautiful, inspiring women on the planet. Her ever present face on its screen at the back of the 'action' makes it exceedingly obvious that this performance does not do her justice.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Caught in the whirlwind of screen legend Grace Kelly's marriage to Prince Rainier, those loosely connected to her deal with the fickleness of fame as they live vicariously through the wedding of an American princess.

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