Buy cheap tickets for Boozr
Bunny Bunny
  • Dublin

s="c1">Sometimes it's hard to be a Bunny.

After critically acclaimed runs at Camden Fringe, Thess Fringe and Smock Alley Theatre Dublin, Nora Kelly Lester's Bunny Bunny returns to Smock Alley this July.

Bunny is mad. She's mad as hell and she's not going to take it anymore& is she?

On the edge of eviction, her love life in pieces and no money in her pockets, Bunny tries to rise again. An absurdist romantic nightmare comedy filled with empty piggy banks, landlords, ex-lovers, their new lovers, and a song about hotel soap, Bunny Bunny is a solo clown show created by Nora Kelly Lester, directed by Nessa Matthews, about trying to hold it all together while everything is falling apart.

'One of the stand out performances of 2024'

'A master of clowning, miming and comedic timing&Lester was playing comedic tennis with the members of audience she spoke to. There wasn't a single answer she couldn't turn into comedy gold'

The Reviews Hub


"Masterful clowning shows us a woman struggling with life in a way that will be all too familiar to many: full of humour and pathos, as all clowns should be."

Everything Theatre

"A rollicking comedy that never forgets its endearing heart"

London Pub Theatres


Age Suitability: 14+
Warnings: Strong language / Sexual reference

WRITTEN & PERFORMED BY Nora Kelly Lester
DIRECTED BY Nessa Matthews
LIGHTING DESIGN BY Conor Byrne
SET CONSULTANT Ellen Kirk
SCENIC ARTIST Stephane Hanly
GRAPHIC DESIGN BY Lloyd Collins

Development supported by The Arts Council, D�n Laoghaire-Rathdown County Council, Scene+ Heard, Wexford Arts Centre & ISACS LIFT Residency, Dublin Circus Project & Dance Ireland's CATALYST Residency.

TICKETS �18 | �15
MATIN�E TICKETS �16

�12 per person for groups of 6+

Suitable for 14+

RUNNING TIME 75 mins

About the Company
Nora Kelly Lester is a theatre maker, director, actor, and clown artist from Dublin.
Nora has toured internationally and worked extensively with world renowned theatre company Dead Centre, as an assistant director, on their productions of Lippy,Chekhov's First Play, and Hamnet.

She recently wrote and starred in her critically acclaimed solo comedy clown show 'Bunny Bunny'. As an artist Nora is interested in interrogating the fusion of clowning, improvisation and contemporary theatre, combining elements of truth, provocation, humanity and interaction with an audience in her work. She likes to make work that turns audience's perceptions on their heads, provides true belly aching laughter, and deals with seriousthemes in playful and provocative ways.

She has created work as Catalyst artist in residence with Dublin Circus Project and Dance Ireland, as well as LIFT artist in residence with Wexford Arts Centre, and as director in residence at The New Theatre, Dublin.

Nessa Matthews is an actor, director, writer/maker from Co. Louth. As an actor, she trained at LAMDA (fDa Distinction).
Acting Credits include: Film & TV: The Tourist, Season 2 (BBC, Stan, Netflix),The Ick (An Pointe Productions), Gap (Mycrofilms), Sineater (Sean Clancy), Fair City (RT�),Inspector Jury (ZDF), Hen (Janna Kemperman).Stage: Standing in Lifts with Strangers (Bewley's Theatre), Will I See You There? (Murmuration), Mr. Burns: A Post Electric Play (Rough Magic), The Roaring Banshees (Devious Theatre), Phillip Pullman's Grimm Tales (Philip Wilson, Southbank Bargehouse, Grimm Tales LTD).

As a writer/maker, she co-created/wrote/performed the award-winning INFINITY for stage (Dublin Fringe Festival 2018, First Fortnight 2019, VAULT Festival 2019). Other writing credits include solo show, WAY BEYOND THE BLUE, as part of a residency at Theatre Upstairs in 2015. She is currently developing Doomscroller which had it's first Work in Progress showing atScene & Heard 2024, and SoundStage. She was an associate artist at Axis Ballymunthrough the Axis Assemble scheme in 2021, and is supported by the arts council through the Agility Award.

As a director, most recent credits include MADE FROM PAPER (in association with Mermaid Arts Centre, funded by the Arts Council, recipient of the DTF Futures Fund in 2021 and supported by Scene + Heard/Fringe Lab). Other credits include: Gleek of the Week (Smock Alley), Bunny Bunny (Smock Alley, Camden Fringe, Wexford Arts Centre), In Loco Parentis (Smock Alley), Kinder Egg Spirits (Smock Alley), Arachnophobia (The New Theatre).

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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