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Brett Epstein: Alone on Stage

Brett Epstein is alone on stage.

Brett is charming, funny and bares his soul, truthfully and eloquently

Or is he?

We enter Surgeons’ Hall venue to find a table on stage. We are asked to submit a question to Brett, anything at all.

He takes the stage - a bundle of nervous, but charming, energy.

A 30-something LGBTQ+ New Yorker, he presents to a sizeable audience a cross-section of his life. He shares aspects of his romantic life, his acting achievements and aspirations. He has had co-starring television roles many times, but, such is human nature, desires more.

His romantic life has been complicated. He talks us through some Hinge conversations – the self-professed “dating app designed to be deleted”. He goes on to tell us that his desires for the bedroom are “mildly kinky”. The details are delivered honestly, exposing Brett’s humorous but humanistic qualities.

He was bullied in his youth, but wants to forgive. Although secretly you suspect some reckoning would be also welcome.

His rapid-fire, high octane delivery is relentless, barely pausing for breath, his physicality always interesting. Is he direct or intense?

His relationship with his nephew offers a glimpse of family life, but deep down, like most of us, he wants to be loved.

He concludes the show by taking three random questions prepared by the audience- as a result, we learn his ultimate sexual fantasy.

Brett is charming, funny, perhaps has neuroses, appears prone to seeking approval, but he bares his soul, truthfully and eloquently. He is most definitely not alone after all.

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Reviews by Roger Kay

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Brett Epstein – host of the decade-long smash Rule of 7x7 (New York Times, Time Out New York, Playbill highlight) and the very very co-star of Friends from College and Ray Donovan – reflects upon the highs and lows of being an artist, being alone and Being Alive™. A darkly comic Brooklyn Bottling Company solo show.
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