Bouncers

John Godber’s work had always found a home at the Festival Fringe where he has directed and produced it himself and where many young theatre groups have also taken it on. This production by Abingdon 750 is one of the best versions of Bouncers I have seen.

The four young actors (Max Hutchinson, Francis Gater, Huw Parmenter and Eddie Wilson) play the night club bouncers of the play’s title, gearing up and looking forward to a bit of trouble before their shift is over. They also take on the roles of four young louts out for a night out, and four rather unsophisticated young women all bent on a night fuelled by alcohol and ending in sex. The company has deliberately chosen a very difficult cabaret space complete with working bar, mirrors and huge pillars (which puts me in mind of the cult Edinburgh show Sell Out! last seen in the 80’s), but director Jon Barker has worked wonders with it and his actors’ performance.

The performers slip between the characters beautifully, and they are all cleverly delineated from each other. Max Hutchison is wonderful in his three monologues as Lucky Eric, when we get to hear what he really thinks about his life. Here, and elsewhere Godber’s writing is wonderfully lyrical and moving. But the main thrust of the piece is comic, and the actors have great fun particularly playing the four girls desperate to get laid.

There is a slight problem with the actors’ youth and trim frames – the original production featured big, burly northern lads. In fact the transposing the piece from the North to London (judging by the accents attributed to all the characters) doesn’t quite work, especially when they make references to such things as “budgie feed and dubbing”. These are not the only references which are also anachronistic, even in this 1990’s remix.

These are minor carps, though, and the best tribute I can pay is I was surprised as I staggered up the stairs from the basement theatre to realise it was still the afternoon so completely had I bought into the seedy, violent nightclub world the production had presented.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Blurb

We welcome you to a vision of the modern urban nightlife, to stag-nights and hen-dos, to drunken crying girls and gallons of booze. One of Scotland's best young casts tackles Godber's classic black comedy. 'Confident and sophisticated,' SCDA judges.

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