Blue Rose Code

Ross Wilson of Blue Rose Code has gone through quite a transformative journey in the past 18 months. From a small maybe 60-70 person gig at St Bride's Centre for Acoustic Music last year to selling out its main 240-seater this year is a pretty measurable amount of success in anyone's book.

A truly visceral and magical moment of the Festival

Having just come off the back of touring his most recent album The Ballads of Peckham Rye, this was Blue Rose Code's first outing for some of his new material from the upcoming album and it's been a tense wait for audiences; the excitement and anticipation was palpable. He did not disappoint.

Opening with new track Grateful and venturing once again into piano-playing, he had the audience on side from the word 'go'. Those who know him seemed to respond amazingly well and those who didn't were very quickly charmed. Throughout various tracks he asked special guests to join him, and a huge mention has to go to Portobello-based musician Colin Steele who joined some tracks on jazz trumpet. This was a new and pleasing addition to the arrangement of BRC and the huge church hall responded so well to it, as did the audience.

His lyrics are truthful and have soul; his arrangements buzz with understanding and his melodies are truly beautiful. Add a bit of Scottish accent in there and you'll start to get a great idea of what makes Blue Rose Code so special to its ever-expanding fan base.

As an Edinburgh-born singer and songwriter there is something so apt and appropriate about Blue Rose Code performing as part of the Edinburgh Fringe; it's almost quintessentially Edinburghian. As the St Bride's church rings with lyrics about Easter road and Great Junction Street it became, for me, a truly visceral and magical moment of the Festival this year.

Ross' online bio puts it a lot better than I could: "If you've not yet heard the music of Blue Rose Code, well, you're late to the party but we've saved you a seat." 

Reviews by Hannah Lucy Baker

Greenside @ Nicolson Square

Red and The Wolf

★★★
The Edinburgh Academy

Spring Awakening

★★★★
theSpace @ Surgeons Hall

The Rules Of Inflation

★★★★
Assembly Checkpoint

Confessions of a Justified Songwriter

★★★★★
Assembly Hall

9 to 5

★★★★
Sweet Grassmarket

Drink! The Musical

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Blue Rose Code is not folk music. Or so he's been told. The Edinburgh-born songwriter discovered British traditional music whilst in exile down south and fell in love with what he heard. Indeed, his last album 'The Ballads of Peckham Rye' features an all-star cast from the folk world – Karine Polwart, Aidan O'Rourke and legend Danny Thompson. BBC Radio 2 describes Blue Rose Code as a ‘very important emerging singer/songwriter’ and Loose Ends' Emma Freud said ‘this is simply beautiful, I am a folk convert’. Last year's Fringe run sold out. Get your tickets now!

Most Popular See More

Everybody's Talking About Jamie

From £24.00

More Info

Find Tickets

Mamma Mia!

From £18.00

More Info

Find Tickets

Heathers The Musical

From £18.00

More Info

Find Tickets

Matilda the Musical

From £25.00

More Info

Find Tickets

Life of Pi

From £19.00

More Info

Find Tickets

Hairspray

From £21.00

More Info

Find Tickets