Big Bite-Size Lunch Hour: Lunch in Cairo

This double bill of new writing by Tom Coash brings us to Cairo, where we're welcomed with dates and hookah pipes. These are two politically relevant plays on important issues in the Middle East, giving an open and balanced airing, though their messages are weakly conveyed.

These pieces are very carefully written to present impressively well-balanced arguments, which are fundamental and relevant topics for today's world.

In Veils, two Muslim roommates, one American and one Egyptian, studying at the American Egyptian University, debate the controversy of hijabs and the misinterpretations each viewpoint has. Conflict peaks in their dorm after they each end up on opposing sides of a protest about the University's plans to ban the wearing of veils. Ideas about racial judgement, police brutality and Sharia law are incorporated too. In beautiful summation, Samar says about the hijab: "I hope I am never forced to wear it and you are never forced to take it off".

In Ukimwi, Coash tackles gender politics, prostitution culture among expats and the myths and superstitions surrounding AIDs. An American oil worker, John, celebrates his birthday in a bar where he is joined by a Kenyan prostitute who calls herself Ukimwi.

The acting throughout both plays is mostly strong, although occasionally too demonstrative and the strength of the accents meant that the words sometimes lacked clarity. Javier Rasero's embarrassed modesty is very well-pitched in Ukimwi, while Verona Moitt confidently creates two contrasting characters between the two plays.

These pieces are very carefully written to present impressively well-balanced arguments, which are fundamental and relevant topics for today's world. However, in creating these almost clinically balanced arguments, we lose some of the humanity which makes theatre what it is. Each character becomes representative of their opinion or situation rather than a rounded human being, which is not helped by a curious tendency to deliver the script directly out to the audience instead of to each other, as you would in conversation. 

Reviews by Cara Ballingall

C venues - C nova

Inglorious Insinuations of Insanity

★★
theSpace @ Surgeons Hall

Free for All

★★★
Greenside @ Infirmary Street

If Only Diana Were Queer

★★
C venues - C nova

Two Thirds

★★★
Underbelly, Cowgate

Much Further Out Than You Thought

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
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Performances

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The Blurb

Ukimwi: an American oil worker meets a young prostitute in a Cairo bar in an exploration of some of Africa's challenges with HIV. Veils: a charming and powerful play about a veiled African-American student and the controversial practice of wearing veils... or not. Written by Tom Coash (writer of Fringe favourite Thin Air), winner of Ensemble Theatre's Hammerstein Award and The Kennedy Center's Lorraine Hansberry Award. Tom previously taught playwriting at a university in Cairo. Winners of Brighton's Latest Magazine Award for Best Theatre Performance. See also our 10:30am Big Bite-Size Breakfast Show.

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