Best of the Bohemians

Best of the Bohemians have everything you’d expect from a concert of musical theatre. The setlist is a dynamic range of old and new; mixing Gershwin with new off-broadway hits such as Heathers: The Musical and, crucially, ending Act 1 with a rendition of One Day More. With powerful ensemble pieces, touching ballads, duets and upbeat feel-good numbers, Bohemians presents a fun evening of all your favourite (and some new) musical theatre hits.

The Bohemians are definitely at their best when performing choral numbers, though individual performances are also commendable.

The band is wonderfully managed by musical director and keys player Finlay Turnbull, creating a full, rich sound from keys, drums, guitar and bass. There are a few sound issues throughout the show, possibly due to the difficult acoustics of the venue. Sound that isn’t amplified often gets swallowed up in the space, meaning that big ensemble numbers occasionally lose their punch.

Harmonies and dynamics are sharp throughout, however enunciation in the large group numbers sometimes gets lost: again, possibly to do with the venue. Some of the numbers work beautifully in the space, however, such as a choral number from Titanic and Masquerade from Phantom of the Opera both echoing beautifully around the church. Synchronised choreography is limited by a small performance speak and large group of performers. Simple movement is used well and the execution is generally very tight; only let down in a few instances by an underconfidence with the choreography. Staging is at times unimaginative, and not enough focus is placed on acting through song: though vocals are throughout very strong.

The Bohemians are definitely at their best when performing choral numbers, though individual performances are also commendable. Jo Heinemeier, though she doesn’t have her own solo, stands out for her excellent belt and riffing in both Candy Store and Skid Row. Ross Stewart’s Till I Hear You Sing from Music of the Night goes down incredibly well and is a really powerful performance. Felicity Thomas’ Back to Before from Ragtime is the standout performance of the night, showing off a beautiful tone, powerful belt and a really strong performance.

The Bohemians ended their set with a preview of their upcoming production of 9 to 5. Their performance of Shine Like the Sun packed a punch and shows real promise for their production next year.

Reviews by Ellie Coote

Paradise in Augustines

Penetrating Europe, or Migrants Have Talent

★★
Assembly Hall

How is Uncle John?

★★★
C venues - C

Playing Soldiers

★★
C venues - C

All Might Seem Good

★★★
Paradise in The Vault

Sheltered

★★★★
Liquid Room Annexe

Strictly Come Trancing

★★★

Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
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The Blurb

Celebrating a decade on the Fringe, the Bohemians bring you an evening of their greatest hits. Featuring songs from a variety of musicals including Phantom of the Opera, Les Miserables, Wicked and our 2017 production of 9-5, come and join us as we take a walk down memory lane revisiting some of our favourite songs. ‘Tunefully diverse, varied and unfussily melodic, A Bohemian's Rhapsody is a thoroughly satisfactory evening out’ (AllEdinburghTheatre.com).

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